Author: Liam Otten

WashU playwrights Zach Berger and Frauke Thielecke will present world-premiere staged reading as part of the 2024 A.E. Hotchner Playwriting Festival.

St. Louis writer Marie Wenya Burns and WashU undergraduate student Alethea Franklin are the second annual recipients of the Heartland Journalism Fellowships.

Rebecca Messbarger, in Arts & Sciences, is among the organizers of a symposium on “The Catholic Enlightenment in Europe, the Americas and Australia (1700-1840),” which will take place at WashU and at Saint Louis University Sept. 20 and 21. Some other faculty also are speaking.

The Department of Music in Arts & Sciences will present “(Re)Discovering the Musical Legacy of Julia Perry,” a symposium and concert exploring the legacy of the late modernist composer, Sept. 27 and 28.

Loretta J. Ross will be the featured speaker for “Reflecting on Reproductive Justice,” a three-day public symposium hosted Sept. 5-7 by WashU’s Reproductive Justice, Health, Rights working group in Arts & Sciences.

Architect Mimi Hoang, urban planner Toni Griffin and artist Josephine Halvorson are among the internationally renowned creative professionals who will discuss their work for the Sam Fox School’s fall Public Lecture Series.

The Black Rep will launch its 48th season with Sheldon Epps’ beloved musical revue “Blues in the Night.”

Linda C. Samuels, a professor and chair of urban design in WashU’s Sam Fox School of Design & Visual Arts, has been named the school’s inaugural director of sustainable design and environmental justice.

Richard J. Walter, a professor emeritus and former chair of the Department of History in Arts & Sciences at WashU, died Sunday, Aug. 11, 2024, at Mercy Hospital St. Louis. He was 85.

The Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “Design Agendas: Modern Architecture in St. Louis, 1930s–1970s” beginning Sept. 13. With nearly 300 architectural drawings, models, photographs, films, digital maps and artworks, “Design Agendas” is the first major exhibition to examine how interlocking civic, cultural and racial histories, as well as conflicting ideological aims, reshaped the city.