Arts & Culture

Logan has won a grant. The project? Make 500 years of colonial pillaging accessible to school children. In other words: Write a Thanksgiving play! So begins, in meta fashion, Larissa FastHorse’s recent Broadway hit, which the Performing Arts Department will present Nov. 21-24 in the Hotchner Studio Theatre.

The Bennet daughters are stubborn, idealistic, spirited and sometimes nosy. They are also unmarried. In the early 19th-century world of “Pride and Prejudice,” which opens Oct. 25 in Edison Theatre, this presents a problem. None can inherit the family estate.

In October, the Department of Music in Arts & Sciences will present recitals featuring three internationally known pianists: Ingrid Jacoby (Oct. 13), Juho Pohjonen (Oct. 20) and Polina Osetinskaya (Oct. 28). Pohjonen’s performance also will feature cellist Zlatomir Fung and violinist Erin Schrieber in the St. Louis debut of “Other Pines,” a recent work by WashU composer Christopher Stark.

Internationally acclaimed playwright, screenwriter, installation artist and MacArthur “genius grant” recipient Lynn Nottage will receive the 2025 International Humanities Prize from Washington University in St. Louis.

WashU playwrights Zach Berger and Frauke Thielecke will present world-premiere staged reading as part of the 2024 A.E. Hotchner Playwriting Festival.

The Department of Music in Arts & Sciences will present “(Re)Discovering the Musical Legacy of Julia Perry,” a symposium and concert exploring the legacy of the late modernist composer, Sept. 27 and 28.

The Black Rep will launch its 48th season with Sheldon Epps’ beloved musical revue “Blues in the Night.”

In this video profile, produced by sophomore Sanchali Pothuru, veteran Hollywood producer Richard Chapman, now a senior lecturer in film and media studies in Arts & Sciences, discusses his career, how he broke into the business and the interplay of luck and hard work.

In “The Neuroscience of Movement,” dancer and research scientist Elinor Harrison introduces students to the complex neural processes that allow us to coordinate thought, action and perception.

Last summer, 18 WashU students traveled to London for an intensive three-week program at Shakespeare’s Globe Theatre. Here, Claire Sommers, a lecturer in Arts & Sciences, describes the program’s aims and what it means to explore the places that shaped the Bard.