‘Counterpublic 2026: Coyote Time’
Counterpublic returns with “Coyote Time,” its third iteration. On view throughout the fall, the St. Louis-wide public art triennial — one of the largest in the United States — features more than 50 artists, including many associated with the WashU Sam Fox School.
Sterling Lawrence: ‘It Is What It Is When It Is’
The Sam Fox School Gallery at Washington University in St. Louis presents “It Is What It Is When It Is,” a solo exhibition of new work from St. Louis-based artist Sterling Lawrence.
‘Edward E. Boccia: Painter of Nightmares and Dreams’
A new book, “Edward E. Boccia: Painter of Nightmares and Dreams,” revisits the life and work of the St. Louis painter, who taught at WashU from 1951 to 1986.
Iconic illustrator Mary Engelbreit donates collection to WashU Libraries
Beloved illustrator Mary Engelbreit has donated 120 original illustrations and related materials to WashU Libraries. The collection highlights her whimsical style, business acumen and activism and will support research, teaching and a public exhibition planned for July.
Bonvehi Rosich, Denizen win 2026 J.B. Jackson Book Prize
Seth Denizen and Montserrat Bonvehi Rosich, both at the WashU Sam Fox School, have won the 2026 John Brinckerhoff Jackson Book Prize for “Thinking Through Soil: Wastewater Agriculture in the Mezquital Valley.”
Buenos Aires Modern, 1935–1950
Accompanies the first exhibition in the United States to examine the inventive activities of a thriving artistic community in Buenos Aires during a period of national and global conflict.
Claying Architecture
Making Machine and Material Kin
Claying Architecture: Making Machine and Material Kin presents a curated collection of essays, interviews and projects from leading architects, designers and researchers who are analyzing the role of clay 3D printing in contemporary architecture.
The artist’s way
WashU was a window to the world in the acclaimed career of contemporary painter John Moore.
Waterlogged seeds reveal melons’ ancient journey
A new WashU study shows how scientists can use ancient DNA to answer historical questions beyond what artifacts alone can reveal.
Carolina Caycedo on ‘Growing Deep Roots’
“Growing Deep Roots,” a one-person show by artist Carolina Caycedo, will open Sept. 9 at the WashU Kemper Art Museum. In this Q&A, Caycedo discusses her work, her interest in migration, just energy transitions and the tenacity of repair.
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