The Neronian Grotesque

The Neronian Grotesque

Image, Text, and Culture in Classical Antiquity

During the reign of Nero, Roman culture produced some of its most spectacular works of art and literature, and some of its strangest. This study explores these effects across textual and visual media in an integrated way. Weiss’ analysis allows for appreciation of the shared strategies of composition, overlaps between literary and visual rhetoric, the […]
Thinking through Graphic Design History

Thinking through Graphic Design History

Challenging the canon

Graphic design has a paradoxical relationship to history. While it claims to promote originality and innovation – ideas that emphasize the new and unique – design practice is deeply embedded in previous ideals. Too often, design students encounter the past in brief visual impressions which seduce them to imitate form rather than engage with historical contexts.
‘Design Agendas: Modern Architecture in St. Louis, 1930s–1970s’

‘Design Agendas: Modern Architecture in St. Louis, 1930s–1970s’

The Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “Design Agendas: Modern Architecture in St. Louis, 1930s–1970s” beginning Sept. 13. With nearly 300 architectural drawings, models, photographs, films, digital maps and artworks, “Design Agendas” is the first major exhibition to examine how interlocking civic, cultural and racial histories, as well as conflicting ideological aims, reshaped the city.
Scattered Snows, to the North

Scattered Snows, to the North

Poems

An arresting study of memory, perception, and the human condition, from the Pulitzer Prize winner Carl Phillips. Carl Phillips’s Scattered Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowing that’s based on human memory. If the poet’s last few books have concerned themselves with power, this one […]
Copyright Vigilantes

Copyright Vigilantes

Intellectual Property and the Hollywood Superhero

“Copyright Vigilantes: Intellectual Property and the Hollywood Superhero” explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain’s attempt to copy the superhero’s unique powers. In this volume, author Ezra Claverie explains this fixation as a symptom of the films’ mode of production.
Older Stories