Happy medium

Happy medium

First-year Washington University students may have a lot to learn about media literacy in 2023, but so do the rest of us. It starts, says Eileen G’Sell, MFA ’06, with understanding that audience is everything.
Model AV testing

Model AV testing

Two Washington University faculty members and their research teams build the “WashU Mini-City” — a novel and low-cost physical environment — to study autonomous vehicles and, ultimately, to improve their reliability and safety.
Technology and the Making of Experimental Film Culture

Technology and the Making of Experimental Film Culture

The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. “Technology and the Making of Experimental Film Culture” examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture.
Risk Work

Risk Work

Making Art and Guerrilla Tactics in Punitive America, 1967–1987

How artists in the United States starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism and surveillance.
‘The distribution of ideas’

‘The distribution of ideas’

Publishing is both a centuries-old intellectual tradition and a sprawling contemporary practice. Yet at its core, publishing seeks to answer one overarching question: How do ideas make their way into the world? So argues Martin Riker, director of the new publishing concentration in the Department of English in Arts & Sciences.
A Moment in the Sun

A Moment in the Sun

Robert Ernest’s Brief but Brilliant Life in Architecture

Robert Ernest was an architect of rare promise and remarkable early success, whose award-winning career was cut short by cancer at age 28 in 1962. Despite the brevity of Ernest’s life, his education and practice were intertwined with some of the most important figures in architecture, including his interactions with Louis I. Kahn and Paul Rudolph.
A Film in Which I Play Everyone

A Film in Which I Play Everyone

Poems

“A Film in Which I Play Everyone” takes its title from a response David Bowie gave to a fan who asked if he had upcoming film roles. “I’m looking for backing for an unauthorized autobiography that I am writing,” Bowie answered. “Hopefully, this will sell in such huge numbers that I will be able to sue myself for an extraordinary amount of money and finance the film version in which I will play everybody.”
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