Why are the humanities integral to the Climate Change Program at Washington University in St. Louis?

Why are the humanities integral to the Climate Change Program at Washington University in St. Louis?

Writing in my bedroom office under a stay-at-home order, the coronavirus is reminding me and the world of our interconnectedness and our humanity. We as individuals and as communities—local, national and global—are asking ourselves: How are we adjusting to a new normal? How are we understanding each other and our needs, both individually and collectively?
Kemper Art Museum announces fall access plan

Kemper Art Museum announces fall access plan

Due to the COVID-19 pandemic, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will remain closed to the public for the fall 2020 semester. However, in coordination with the universitywide COVID-19 response plan and health and safety guidelines, the museum will be accessible in a limited fashion to Washington University students, faculty and staff.
War, reporting and the Tower of Babel

War, reporting and the Tower of Babel

Richard Chapman, executive producer of “Dateline-Saigon,” discusses the documentary, the dangers journalists faced during the early years of the Vietnam War, and lessons for contemporary reporters and readers.
Chapman’s ‘Dateline–Saigon’ now streaming

Chapman’s ‘Dateline–Saigon’ now streaming

“Dateline­–Saigon,” a documentary about Vietnam War reporting produced by Richard Chapman, senior lecturer in film and media studies in Arts & Science at Washington University in St. Louis, has been released for streaming on iTunes, Amazon Prime and other platforms.
Rethinking the global studio

Rethinking the global studio

From retail businesses to international supply chains, the Sam Fox School’s Global Urbanism Studio explores how the COVID-19 pandemic is reshaping urban space.
When the conspiracy is real

When the conspiracy is real

Umbrella Man. Outside agitators. Agents provocateur. As protests sparked by the killing of George Floyd continue, conspiracy theories and “false flag” charges have flown fast and furious. But sometimes the conspiracy is real. In “F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature” (2015), William J. Maxwell, professor of English in Arts & Sciences at Washington University in St. Louis, details a decades-long harassment campaign waged against prominent African American writers and activists.
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