‘Into the Woods’ in Edison Theatre

‘Into the Woods’ in Edison Theatre

Cinderella wishes for festivals. Jack wishes for food. The baker and his wife wish for a child. The storybook world is filled with longing and magic and the happiest of ever afters. For a while, at least. But what happens once the wishes have all come true?
‘Lest We Forget’ opens Oct. 20

‘Lest We Forget’ opens Oct. 20

“Lest We Forget,” a public art installation by noted Italian-German photographer Luigi Toscano, will open Oct. 20 in WashU’s Ann and Andrew Tisch Park. The exhibition will feature nearly 100 contemporary, large-scale portraits of Holocaust survivors — including 12 survivors now living in St. Louis.
Chakaia Booker’s ‘Shaved Portions’

Chakaia Booker’s ‘Shaved Portions’

As a young sculptor, Chakaia Booker collected scraps of ruined tires from the streets of lower Manhattan. The material was ubiquitous, malleable and symbolically resonant. Now “Shaved Portions,” one of Booker’s largest and most ambitious projects to date, has been installed on WashU’s Danforth Campus.
The sound of the future, 50 years on

The sound of the future, 50 years on

The Association for the Advancement of Creative Musicians blended jazz with experimental music while staging concerts in unusual venues. In “Sound Experiments: The Music of the AACM,” Paul Steinbeck, associate professor of music in Arts & Sciences, uncovers the group’s surprising rise to become international touring artists.
Hotchner Festival presents two new plays

Hotchner Festival presents two new plays

Zachary Stern’s frenetic comedy “Democratic Airlines” and Melia Van Hecke’s contemporary folktale “The Fern” will receive world premiere staged readings as part of the 2022 A.E. Hotchner Playwriting Festival. The festival is named for alumnus A.E. Hotchner, who famously bested Tennessee Williams in a campus playwriting competition.
Katharina Grosse Studio Paintings, 1988-2022

Katharina Grosse Studio Paintings, 1988-2022

Returns, Revisions, Inventions

“Color is very intimate” The immediate physical presence of color is central to Katharina Grosse’s creative endeavor. Through an open-ended creative process in which painting takes on the form of a performance, color embodies movement, making its emotional potential tangible.These issues are not only driving her dramatically large in situ works painted across various surfaces […]
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