Author: Liam Otten

Kate Smith was the “songbird of the south” and “the First Lady of radio,” a 20th-century superstar whose recording of “God Bless America” was still being played during Philadelphia Flyer and New York Yankees home games. But recently, both teams distanced themselves from Smith due to racist lyrics in a pair of her early recordings. Arts & Sciences’ Todd Decker, chair of music, helps unpack the controversy for USA Today.

On May 22, the Washington University Prison Education Project (PEP) conducted its first Commencement at the Missouri Eastern Correctional Center in Pacific, Missouri. Joe Angeles, director of Washington University Photo Services, documented the day.

Musicologist Todd Decker, of Arts & Sciences and author of “Hymns for the Fallen: Combat Movie Music and Sound After Vietnam” (2017), examines how films such as “Platoon,” “Apocalypse Now,” “Saving Private Ryan” and “The Hurt Locker” shape how audiences view soldiers, veterans and the experience of war.

As a kid biking the streets of Kinloch and Ferguson, Mo., Ryan A. Wilson was drawn to construction sites. Now the Sam Fox School master’s candidate is working on ambitious projects and exploring architecture’s capacity for rebuilding community.

Sibling pianists Katia and Marielle Labèque — praised by The New York Times as “the best piano duet in front of an audience today” — will perform four-hand works by Igor Stravinsky and Philip Glass May 5 as part of the Great Artists Series at Washington University in St. Louis.

The newly expanded and renovated Mildred Lane Kemper Art Museum at Washington University in St. Louis will reopen with a major exhibition of work by Ai Weiwei. The renowned Chinese dissident artist and activist is known all over the world for rigorous, compassionate and complex artworks that address themes of political, ethical and social urgency. “Ai Weiwei: Bare Life” opens Sept. 28 and will feature more than 35 artworks created over the last two decades in a wide variety of media — including a handful of newly conceived, large-scale and site-specific projects and major pieces never before exhibited in the United States.

“Ash is Cold,” a solo exhibition featuring new work by Tim Portlock, associate professor of art at the Sam Fox School of Design & Visual Arts, is on view through May 3 at Monaco, the artist-owned cooperative gallery.

Carl Phillips, professor of English in Arts & Sciences, has won the Los Angeles Times Book Prize for poetry for his collection “Wild is the Wind: Poems” (2018).

A tuba establishes the simple, five-note motif. Woodwinds respond. The full ensemble quickly joins the fray. On Thursday, April 25, the Washington University Wind Ensemble will perform Gustav Holst’s celebrated Second Suite for Military Band, along with works by Aaron Copland, Cécile Chaminade and others, in the 560 Music Center.

This week’s fire at Notre Dame in Paris, which destroyed the Cathedral’s iconic spire and much of the roof, gripped the world and led to outpourings of support. But the damage could have been far worse, said architectural historian Eric Mumford.