Hymns for the Fallen
Todd Decker, professor in music and in film and media studies, shows how the soundscape in post–Vietnam War films has changed and transformed the experience of watching a war film.
African Medical Pluralism
Most patients in Africa draw on a “therapeutic continuum” that includes traditional medicines like herbs, religious healing and the latest biomedical technology. Through a look at these treatments, scholars examine how Africans perceive sickness and understand suffering.
Message to Our Folks
A look back at the influential Art Ensemble of Chicago, the flagship group of the Association for the Advancement of Creative Musicians, and how they pushed the frontier of jazz with their creative and energetic live performances.
The Invention of Robert Bresson
In The Invention of Robert Bresson, Colin Burnett, assistant professor of film and media studies, describes the life and times of the elusive French filmmaker Robert Bresson.
The Mentor’s Way
Coaching expert Rik Nemanick has trained thousands of people to be mentors. Now, he distills his knowledge down into eight rules in this informative book.
Migration and Mobility in the Modern Age
This collection of essays tackles migration and movement in Central and Eastern Europe and Russia.
A Prescription for Change
In A Prescription for Change, Michael Kinch, associate vice chancellor and director of the Center for Research Innovation in Biotechnology, tells about the looming crisis in the pharmaceutical industry.
Slavery at Sea
Sowande’ M. Mustakeem takes the Middle Passage — the terrifying boat trip that African slaves took to the Americas — as her topic in Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage.
Regulating Style
Kedron Thomas, assistant professor of anthropology, studies how the fashion industry is regulated, particularly for the Maya people of Guatemala who make fashion knockoffs of name-brand styles.
Schumann’s Virtuosity
Alexander Stefaniak examines previously unexplored archival sources to explore the diverse approach to virtuosity of one of the greatest composers – and music critics – of the Romantic era.
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