Sam Fox School of Design & Visual Arts

Amidst the cultural and political ferment of the 1960s, avant-garde artists and architects began embracing biological and scientific models as well as the potentials of emerging technologies to explore radical new directions in urban design, developing projects that were at once fanciful, complex and conceptually serious. This fall the Mildred Lane Kemper Art Museum will present Metabolic City, an exhibition surveying work by the British collective Archigram; the Japanese Metabolists (whose members include Fumihiko Maki, architect of the Kemper Art Museum); and the Dutch painter Constant Nieuwenhuys, an early member of the Situationist International.

Ethnic profiling is illegal in the United States, prohibited by the Fourth Amendment, which requires probable cause for searches and seizures, and by the Fourteenth Amendment, which calls for equal protection under the law. And yet as the recent arrest of Harvard scholar Henry Louis Gates demonstrates, the issue remains far from settled. This fall Washington University in St. Louis will present “Ethnic Profiling: A Challenge to Democracy,” a semester-long series exploring the history, impact and ethical issues surrounding ethnic profiling through lectures, readings, performances, panel discussions and other events.

This fall, Washington University will present “Ethnic Profiling: A Challenge to Democracy,” a semester-long series exploring the history, impact and ethical issues surrounding ethnic profiling through lectures, readings, performances, panel discussions and other events.

The Mildred Lane Kemper Art Museum has received a $50,000 grant from the Andy Warhol Foundation for the Visual Arts Inc. to support the exhibition “Sharon Lockhart — Lunch Break.” Organized by Sabine Eckmann, Ph.D., director and chief curator of the Kemper Art Museum, the exhibition will open Feb. 10, 2010, and remain on view […]

Dripping or flinging paint; flipping coins to compose musical scores; letting the progressive decay of organic materials determine a composition — since the early 20th century avant-garde artists have used these processes and many others to explore the creative possibilities of chance and its attendant release of authorial intent. This fall the Mildred Lane Kemper Art Museum will present Chance Aesthetics, a major loan exhibition investigating the use of chance as a key compositional principle in modern art.

The Mildred Lane Kemper Art Museum at Washington University in St. Louis has received a $50,000 grant from the Andy Warhol Foundation for the Visual Arts, Inc., to support the exhibition Sharon Lockhart—Lunch Break. Organized by Sabine Eckmann, Ph.D., the museum’s director and chief curator, the exhibition will open Feb. 10, 2010, and remain on view through April 19.

Installation artist Allison Smith will serve as the inaugural Henry L. and Natalie E. Freund Visiting Artist in the Sam Fox School of Design & Visual Arts. Smith is known for creating large-scale works that critically engage popular forms of historical re-enactment, along with crafts and other traditional cultural conventions, to redo, restage and refigure […]

Courtesy PhotoThe Mildred Lane Kemper Art Museum will present this fall “Chance Aesthetics,” a major loan exhibition examining the use of chance in modern art. The exhibition is the first of four major shows slated for the 2009-10 academic year.

In an unstable world chance events can seem to threaten our claims to self-determination. Yet in the early 20th century avant-garde artists embraced chance as a primary compositional principle. This fall the Mildred Lane Kemper Art Museum will present Chance Aesthetics, a major loan exhibition examining the use of chance in modern art. The exhibition is the first of four major shows slated for the 2009-10 academic year.

Installation artist Allison Smith will serve as the inaugural Henry L. and Natalie E. Freund Visiting Artist in the Sam Fox School of Design & Visual Arts. Smith is known for creating large-scale works that critically engage popular forms of historical reenactment along with crafts and other traditional cultural conventions to redo, restage and refigure historical memories. Launched in partnership with Washington University’s Mildred Lane Kemper Art Museum, the Freund Visiting Artist program joins a similar collaboration between the Sam Fox School and the Saint Louis Art Museum, which was initiated in 1995.