Sam Fox School of Design & Visual Arts

The Sam Fox School of Design & Visual Arts’ Public Lecture Series presents free weekly lectures by nationally and internationally recognized artists, architects, historians and critics. This spring, the Public Lecture Series — which begins Jan. 20 — will feature talks by Hungarian installation artist Balázs Kicsiny and by architect Craig Dykers, whose firm, Snøhetta, designed the National 911 Memorial Pavillion in New York. Other highlights will include lectures by landscape architect Michael Van Valkenburgh, New York illustrator Jessica Hische and art historian Susan Laxton.

The army, the circus and the restaurant: three diverse institutions, each embodying distinct ideas about the nature of service. In Killing Time, Hungarian installation artist Balázs Kicsiny both investigates and conflates these institutions and their raisons d’être: to protect or kill, to entertain, and to feed. Beginning Friday, Jan. 27, the Mildred Lane Kemper Art Museum will present Killing Time, Kicsiny’s newest work and his first U.S. museum exhibition, developed while in residence with the Sam Fox School of Design & Visual Arts as the Henry L. and Natalie E. Freund Visiting Artist.

There is an undeniable romanticism to the sculpture of Patrick Dougherty. Working with the simplest of materials — sticks, branches and saplings — the North Carolina-based artist creates playful architectural forms that variously suggest nests, primitive shelters and fairy-tale castles. This fall, Dougherty enlisted dozens of students to help construct Double or Nothing, a new commission for the Sam Fox School of Design & Visual Arts.

In a culture defined by an indiscriminate onslaught of images, John Stezaker’s work conveys both a fascination with their lure and a critique of their seductive power. Using classic movie stills, vintage postcards, book illustrations and other found materials, the contemporary British artist brings new meanings to old pictures, adjusting, inverting and slicing them together to create collages that are at once captivating and unsettling, eerie and elegant, nostalgic and absurd. This spring, the Mildred Lane Kemper Art Museum will provide the only U.S. venue for John Stezaker, the artist’s first major solo museum exhibition.

The Sam Fox School of Design & Visual Arts will host a dedicaiton for a new, as-yet-untitled work by internationally known artist Patrick Dougherty at noon Monday, Nov. 21, on the south lawn of Givens Hall. The large woven-wood sculpture was designed and completed as part of a master class Dougherty led for students in architecture, landscape architecturea and the visual arts. The piece will remain on view through fall 2013.

Washington University’s Graduate School of Architecture & Urban Design, part of the Sam Fox School of Design & Visual Arts, has been ranked 4th in the nation, according to DesignIntelligence, which publishes an annual guide to America’s Best Architecture and Design Schools. The 13th annual report polled leaders from 277 architecture, landscape architecture, industrial design and interior design firms about which programs have, over the last five years, best prepared students for professional practice.

The city of the future is a utopian confection of luxurious modernist skyscrapers, except when it’s a hidden nightmare of exploited subterranean workers, a comedy of anonymous office spaces or a collection of geodesic domes orbiting Saturn. Throughout the 20th century, filmmakers have explored the ever-quickening pace of technological development through visionary images of both social and architectural space. In December, the Mildred Lane Kemper Art Museum will screen three such films as part of its Cities of the Future Film Series.

Washington University in St. Louis recently was named one of the top producers of U.S. Fulbright students, based on outcomes of the 2011-2012 competition. The Fulbright Program, the U.S. government’s flagship international educational exchange program, recently announced the complete list of top-producing colleges and universities in the Oct. 24 edition of The Chronicle of Higher Education. 

What can art learn from ecology? It’s a question posed both implicitly and explicitly by visionary artist Tomás Saraceno, whose plans for an airborne city render obsolete the very idea of “environmental footprint.” At 4 p.m. Thursday, Oct. 27, the Mildred Lane Kemper Art Museum will present “A Sustainable Future,” an interdisciplinary panel discussion held in conjunction with the exhibition Tomás Saraceno: Cloud Specific.

Ten cutting-edge Sukkahs by architects and designers from around the nation were installed Oct. 17, just south of the Ann W. Olin Women’s Building. The projects, which remain on view through Saturday, Oct. 22, are winners of Sukkah City STL, an ambitious contemporary design competition that challenged participants to reimagine the traditional Jewish Sukkah through the lens of contemporary art and architecture