Sam Fox School of Design & Visual Arts

Heather Corcoran, director of the College & Graduate School of Art in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, discusses data visualization, the importance of design to health care and art directing the Portland Trail Blazers.

In 1972, a group of 20 New York artists founded the A.I.R. Gallery, the first not-for-profit cooperative exhibition space for women artists in the United States. On Tuesday, March 31, former A.I.R. director Kat Griefen will serve as keynote speaker for “A.I.R. Refreshed: Women in the Art World from the 1970s to Today” at Olin Library on the campus of Washington University in St. Louis.

Three seniors in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis have been chosen for the Society of Illustrators’ 2015 Student Scholarship Competition exhibition.

Two Master of Landscape Architecture candidates in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis have won Student Chapter Awards from the American Society of Landscape Architects’ St. Louis Chapter.

The Center for the Humanities and the Sam Fox School of Design & Visual Arts have announced the first recipients of Faculty Collaborative Grants. Presented under the auspices of The Divided City, a new urban humanities initiative, the awards are funded in part by a four-year grant from the Andrew W. Mellon Foundation.

The Office of the Vice Chancellor for Research has announced the eight winners of the 2014 University Research Strategic Alliance (URSA) grants. The URSA program aims to encourage new groups of investigators working on new research or using new approaches to solve problems.

The Sam Fox School of Design & Visual Arts will launch its spring Public Lecture Series with talks by architect Javier Maroto (Jan. 26) and artist Carrie Mae Weems (Feb. 2). Weems is a 2013 recipient of the MacArthur “genius award.” Her “Untitled (Colored People Grid)” recently was acquired by the university’s Mildred Lane Kemper Art Museum.

For Carmon Colangelo, dean of the Sam Fox School of Design & Visual Arts, drawing is both an expressive art and a daily practice. At the office or in the studio, a sketchbook is always near at hand.

During the 1950s and ’60s, international abstraction played a crucial role in Cold War cultural politics. In St. Louis, Washington University emerged as one of the nation’s most important regional centers for postwar abstract art — in large part thanks to the efforts of curator William N. Eisendrath Jr. This spring, the Mildred Lane Kemper Art Museum will pay homage with “From Picasso to Fontana: Collecting Modern and Postwar Art in the Eisendrath Years, 1960-68.” 

Listening is a talent but also a skill. This spring, Andrew Raimist and Bob Hansman, both architecture faculty in Sam Fox School of Design & Visual Arts, will lead “Community Building II: Ferguson,” a community studies class that explores the complex economic, political and racial landscape of north St. Louis.