Sam Fox School of Design & Visual Arts

Rod Barnett, professor and chair of the Master of Landscape Architecture in the Sam Fox School’s Graduate School of Architecture & Urban Design at Washington University in St. Louis, discusses St. Louis, emergence theory and the role of the landscape architect today.

Members of the St. Louis Symphony will join musicians from the Department of Music in Arts & Sciences at Washington University in St. Louis for “Music of the Great War” Nov. 16 in the Mildred Lane Kemper Art Museum.

What is gentrification, and can urban renewal be accomplished responsibly and ethically? Washington University in St. Louis Executive Vice Chancellor ​Henry S. Webber and Molly Metzger, PhD, of the Brown School, will explore these issues at the St. Louis Up Close event “Gentrification – Fact or Fiction; Truth or Myth.” Sponsored by the Gephardt Institute, the event takes place at 4 p.m. Nov. 12 in the Danforth University Center.

Allison Unruh, a specialist in modern and contemporary art, has been appointed associate curator of the Mildred Lane Kemper Art Museum.

In this video, curator Jonathan Ferrara and Sam Fox School dean Carmon Colangelo discuss “Guns in the Hands of Artists.” The exhibition seeks to build a new framework for examining the role of guns in American culture.

Artist Ann Hamilton discusses “O N E E V E R Y O N E · St. Louis,” a public art installation created for the Brown School’s Hillman Hall and the latest installment in Art on Campus, WashU’s percent-for-art program.

Winston Churchill was a dedicated painter. At home, on holiday and even on the battlefield, his oils were rarely far from hand. This fall, the National Churchill Museum and the Kemper Art Museum are presenting one of the most significant shows of Churchill’s work ever in North America.

In 2017, Washington University in St. Louis will begin one of the most significant capital projects in the recent history of the Danforth Campus: transformation of the east end.

With “Boîte-en-valise,” Marcel Duchamp created an artistic retrospective the size of a salesman’s sample case. Now the Mildred Lane Kemper Art Museum has acquired for its permanent collection an early example of this important work by one of the 20th century’s most influential artists.

What is the relationship between art and activism? How should artists engage questions of racial justice? Have events in Ferguson changed those equations? On Oct. 3, four St. Louis-based artists will discuss these questions and more as part of the Greater St. Louis Humanities Festival.