Sam Fox School of Design & Visual Arts

Photo courtesy of Visual Media Center, Columbia UniversityAmiens CathedralStephen Murray, a leading authority on medieval art and architecture and founder of the Visual Media Center at Columbia University, will speak on Medieval Architecture and the New Media: Representing and Creating Humanistic Content at 6 p.m. Tuesday, Nov. 18.

Sheet music for the 1902 musical “The Wizard of Oz.”Selections from the 1902 stage musical The Wizard of Oz by St. Louis native Paul Tietjens will highlight a concert of 19th- and early 20th-century popular song at the Washington University Gallery of Art Friday, Nov. 7.

Master carpenter Tamotsu Edo of Awajishima, Japan, will work with students from the Washington University School of Architecture to construct and install a traditional Japanese teahouse waiting bench, or koshikake machiai, in the university’s Elizabeth Danforth Butterfly Garden.

Courtesy photoAn alternate ITC Galliard (1978) italic letter “g” drawn for Cherie Cone.Matthew Carter is perhaps the preeminent type designer of the latter 20th century, his work featured in Time, Newsweek and Sports Illustrated magazines as well as The Boston Globe, The Philadelphia Inquirer and The Washington Post, among many others. The Washington University School of Art will survey Carter’s distinguished career with the exhibition Typographically Speaking: The Art of Matthew Carter, on view at the Des Lee Gallery Oct. 10-Nov. 29.

The Washington University Gallery of Art will host An Evening With Comic Artists Charles Burns and Gary Panter at 7 p.m. Saturday, Sept. 27, in Steinberg Auditorium.

Iain Boyd Whyte, professor of architectural history at the University of Edinburgh, will speak for the Washington University Gallery of Art at 7 p.m. Thursday, Oct. 2, in Steinberg Auditorium.

Wang Haichen, *Garden Blues* (2002), porcelainChina boasts one of the world’s oldest and richest pottery traditions, yet only in recent years have Chinese ceramicists begun to emerge as individual “studio artists,” rather than collective practitioners. The Washington University School of Art’s Des Lee Gallery explores this burgeoning “new age” in Chinese Ceramics Today: Between Tradition and Contemporary Expression, an exhibition of works by 23 contemporary ceramicists from mainland China and Hong Kong.

The show features more than 50 works by 23 of China’s finest contemporary practitioners; it opens with a reception from 6-8 p.m. today.

“Cohen’s world is a world of ongoing catastrophe, in which natural and manmade disasters seem to radiate triumphant,” said guest curator Lutz Koepnick.

Photo by Constantine E. MichaelidesChurches and chapels comprise the Aegean Islands’ most distinctive architectural forms.The history of architecture is largely the history of official buildings commissioned by ruling elites. Yet with the home improvement market expected to reach record-high levels in 2003, it is worth remembering that the true character of any city or town rests largely on the vernacular traditions of ordinary, often architecturally untrained citizens. In his forthcoming book The Aegean Crucible, Constantine E. Michaelides, emeritus dean and professor of the School of Architecture at Washington University in St. Louis, explains how many of the Greek island’s most defining forms were developed by local builders responding to particular climatic, cultural and political circumstances.