Arts & Sciences

Cultivars of popular ornamental woody plants that are being sold in the United States as non-invasive are probably anything but, according to an analysis by a Washington University in St. Louis botanical researcher published in the October issue of BioScience.

James E. McLeod, vice chancellor for students and dean of the College of Arts & Sciences who died Sept. 6, was remembered through song and speech during three events at WUSTL this past week, including an intimate Liederabend Sunday, Oct. 9, in Holmes Lounge. The performance, with baritone Sidney Outlaw (left), was dedicated to the memory of McLeod, who initiated the university’s first Liederabend, translated as “evening of song,” nearly 30 years ago.

The Association for the Advancement of Sustainability in Higher Education will name Washington University in St. Louis as the winner of its “Best Lessons Learned Case Study Award” on Tuesday, Oct. 11, during the AASHE 2011 Conference in Pittsburgh. The award, for the case study, “Getting to Net-Zero: Lessons Learned from a Living Building Challenge,” which outlined “the mistakes, corrections, and lessons learned that ultimately led to successful certification” of WUSTL’s Living Learning Center at Tyson Research Center as one of the first net zero energy “living buildings.”

Nationally acclaimed poet Lucie Brock-Broido will present a talk on the craft of poetry at 6 p.m. Tuesday, Oct. 11, for the Writing Program Reading Series. Brock-Broido is the author of three books of poetry: Trouble in Mind (2004), The Master Letters (1995) and A Hunger (1988). Her work often explores obsessions and anxieties — of influence, ritual, mortality and modernity — using shifting syntax and diction to create vivid, and sometimes disorienting, portraits of mind.

Ward Stare is a rising star in the world of classical music, serving as both resident conductor of the St. Louis Symphony and as music director for the St. Louis Symphony Youth Orchestra. This fall, Stare adds to his portfolio as conductor of the Washington University Symphony Orchestra. On Oct. 23, Stare will make his regular-season debut with the WUSTL symphony in a performance featuring music of Ralph Vaughn Williams, Franz Liszt and Jean Sibelius.

The VERITAS array of telescopes has detected pulsed gamma rays from the pulsar at the heart of the Crab Nebula that have energies far higher than the common theoretical models can explain. The finding is one of the most exciting in the telescope’s history, according to consortium members at Washington University in St. Louis.

Charles F. Kennel, PhD, chair of the National Academy of Sciences’ Space Studies Board, will deliver the fourth annual Robert M. Walker Distinguished Lecture at 7 p.m. Wednesday, Oct. 19, in Room 100, Whitaker Hall, at Washington University in St. Louis. Kennel will discuss “Managing Climate Risk: Precarious Decades Ahead” during the free lecture that is open to the public.

Following the Sept. 6 death of James E. McLeod, vice chancellor for students and dean of the College of Arts & Sciences at Washington University in St. Louis, Chancellor Mark S. Wrighton has announced a transitional leadership plan for the College of Arts & Sciences. Sharon Stahl, PhD, associate vice chancellor for students and dean of the First Year Center, and Wayne Fields, PhD, the Lynne Cooper Harvey Distinguished Professor of English in Arts & Sciences, have agreed to take on the additional responsibilities of leading the College of Arts & Sciences on an interim basis.

Washington University Libraries present a book talk by Michael Sherberg, PhD, associate professor of Italian in Arts & Sciences, at 4 p.m. Wednesday, Oct. 5, in Olin Library, Ginkgo Reading Room, Level 1. Sherberg’s lecture — titled “Boethius in the Renaissance: What Recent Acquisitions Teach Us” — will discuss three 16th-century translations of Boethius’s influential 6th-century work, Consolation of Philosophy, and what the translations tell modern scholars about the politics and poetics of translation in the Renaissance.

With its poodle skirts, bouffant hairdos and withering irony, John Waters’ Hairspray (1988) feels almost timeless. It could be set at any point after which the 1950s had ceased to be cool. It is actually set in 1962, the year James Meredith became the first African-American admitted to the University of Mississippi. That historical grounding is at the center of a new staging of Hairspray: The Musical, the 2002 Broadway extravaganza based on Waters’ film, by the Performing Arts Department in Arts & Sciences.