Arts & Sciences

David Sedley, PhD, an internationally acclaimed Greek philosopher, will deliver the annual John and Penelope Biggs Lecture in the Classics for the Assembly Series at 4 p.m. Thursday, March 19, in the Bryan Cave Moot Courtroom in Anheuser-Busch Hall on the campus of Washington University in St. Louis. The lecture, “What Is Plato’s Theory of Forms?” is free and open to the public.

Isotopic analysis of animal teeth from a 2,000-year-old herding settlement near Lake Victoria in southern Kenya show the area was once home to large grassland corridors — routes that could have been used to dodge tsetse flies and bring domesticated livestock to southern Africa.

In the quantum world, the future predicts the past. Playing a guessing game with a superconducting circuit called a qubit, a physicist at Washington University in St. Louis has discovered a way to  narrow the odds of correctly guessing the state of a two-state system. By combining information about the qubit’s evolution after a target time with information about its evolution up to that time, the lab was able to narrow the odds from 50-50 to 90-10.

The ziggurat drum. The nail violin. The gong array with artillery shells. The chariot of choir. If Mad Max and Dr. Seuss started a band, it might look something like Scrap Arts Music, which comes to Edison March 20 and 21. The Vancouver-based percussion ensemble builds wild, one-of-a-kind instruments from gleaming industrial salvage.

​Washington University in St. Louis is sending 15 students to this year’s Clinton Global Initiative University, which begins Friday, March 6, at the University of Miami.  Founded by the Clinton Global Initiative, an initiative of the Bill, Hillary & Chelsea Clinton Foundation, CGI U supports projects that advance five focus areas: education, environmental sustainability, peace and human rights, poverty alleviation and public health. The university hosted CGI U in 2013.

Ignacio Infante, PhD, assistant professor of comparative literature and of Spanish in Arts & Sciences at Washington University in St. Louis, will have his article “Remaking Poetics after Postmodernism: Intertextuality, Intermediality and Cultural Circulation in the Wake of Borges” published in the winter 2015 issue of Comparative Literature (Duke University Press).

The Center for the Humanities and the Sam Fox School of Design & Visual Arts have announced the first recipients of Faculty Collaborative Grants. Presented under the auspices of The Divided City, a new urban humanities initiative, the awards are funded in part by a four-year grant from the Andrew W. Mellon Foundation.

Since the mid-1990s, thousands of Bosnian refugees have settled in South St. Louis. Today, “Little Bosnia’ includes more than 60,000 people — the largest Bosnian community outside Bosnia. On Tuesday, March 3, the Department of Music and musicians from the St. Louis Symphony will explore their stories with a free concert titled “Bosnian Journeys: Generations.”

Why do so many of us cry at the movies? Why do we flinch when Rocky Balboa takes a punch? What’s really happening in our brains as we immerse ourselves in the lives being acted out on screen? These are the questions that Washington University in St. Louis neuroscientist Jeffrey M. Zacks, PhD, explores in his new book, “Flicker: Your Brain on Movies.”

Higher education reduces recidivism rates by as much as half. Yet today, only a small fraction of U.S. prisoners have access to such programs. In the fall of 2014, University College launched the Washington University Prison Education Project, a three-year pilot program supported by a grant from the Bard Prison Initiative.