Reconfiguring the Ph.D.

Arts & Science’s William Acree describes the university’s attempt to introduce a new, highly transdisciplinary cohort model for incoming graduate students.

Rediscovering ‘The Man Who Cried I Am’

William Maxwell, a professor in Arts & Sciences, was featured on a recent episode of “LOA Live.” Hosted by the Library of America, the program, titled “Black Writers in Paris, the FBI, and a Lost 1960s Classic,” focused on the republication of John A. Williams’ 1967 novel “The Man Who Cried I Am.”

Afrocentrism and help-seeking among Black men

Husain Lateef, at the Brown School, takes part in an “inSocialWork” podcast episode, discussing the Afrocentric worldview that emphasizes collectivism, community and compassion in promoting improved mental health among Black men.

The Eighth Circuit’s Other Jurisdictional Problem

If the Eighth Circuit is going to re-write the VRA’s jurisdictional provisions, it should have assured itself that it had authority to hear this case, writes Travis Crum, associate professor of law.

How directors invite audiences into the story

Elizabeth Hunter, a faculty fellow at the Center for the Humanities in Arts & Sciences, discusses her book project “In the Story: Space and Spectatorship from Theatron to Augmented Reality,” and how directors connect with the audience, from Shakespeare’s time through today.

From ancient Greece to Broadway, music has played a critical role in theater

Notable are performances in ancient Greek at Columbia/Barnard and in English translation at the University of Vermont. These performances indicate how much Greek theater has in common with modern musical theater on Broadway and around the world today, writes Timothy Moore.
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