‘She gets to be who she is’

‘She gets to be who she is’

With her pink suits, chippy chihuahua and Greek chorus of sorority sisters, Elle Woods seems to have it all. But when her well-bred boyfriend, Warner Huntington III, leaves UCLA for Harvard Law, Elle’s dreams for the future come crashing down. So begins “Legally Blonde,” a musical adaptation of the 2001 film, which explores themes of personal identity, social expectations and what it means to be authentic.
Inside the Hotchner Festival: Sophie Tegenu

Inside the Hotchner Festival: Sophie Tegenu

In “Mrs. Kelley’s Igloo,” senior Sophie Tegenu explores themes of family, romantic love and the difficulties of saying “I do.”  This weekend, the play will be one of three to receive world premier staged readings as part of the Performing Arts Department’s annual A.E. Hotchner Playwriting Festival.
WashU Expert: Unplugging Kate Smith

WashU Expert: Unplugging Kate Smith

Kate Smith was the “songbird of the south” and “the First Lady of radio,” a 20th-century superstar whose recording of “God Bless America” was still being played during Philadelphia Flyer and New York Yankees home games. But recently, both teams distanced themselves from Smith due to racist lyrics in a pair of her early recordings. Arts & Sciences’ Todd Decker, chair of music, helps unpack the controversy for USA Today.
What does war sound like?

What does war sound like?

Musicologist Todd Decker, of Arts & Sciences and author of “Hymns for the Fallen: Combat Movie Music and Sound After Vietnam” (2017), examines how films such as “Platoon,” “Apocalypse Now,” “Saving Private Ryan” and “The Hurt Locker” shape how audiences view soldiers, veterans and the experience of war.
Saint-Saëns and the Stage

Saint-Saëns and the Stage

Operas, Plays, Pageants, a Ballet and a Film

The stage works of Saint-Saëns range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer’s death in 1921. Widely performed in his lifetime, they vanished from the repertory – never […]
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