Arts & Culture

Emma sits at a corner table. Jerry arrives with wine and bitters. It’s the end of the affair and the start of the play. In “Betrayal,” Harold Pinter traces a years-long adulterous relationship in reverse chronological order — a clever structural device that begs a profound question. Knowing the height of the fall, would you still jump?

Acclaimed violinist Cecilia Belcher and pianist Patti Wolf will launch KWUR Week 2014 with a free performance of works by Mozart, Fauré and Ravel March 18. The four-concert series, which continues through March 23, will range from rock and funk to classical percussion.

Growing up in rural Alaska, Chukwuma is caught between American friends and traditional Nigerian parents. So begins “Alaskaland,” one of eight films to be screened March 28-30 as part of Washington University’s annual African Film Festival. Other highlights will include “Tey,” an impressionistic celebration of life and death, and “Aya of Yop City,” adapted from the graphic novels of Marguerite Abouet.

Named for WUSTL founder William Greenleaf Eliot, the Eliot Trio consists of three prominent St. Louis musicians: pianist Seth Carlin, violinist David Halen and cellist Bjorn Ranheim. On March 26, the group will perform piano trios by Bohuslav Martinů, Ludwig van Beethoven and Antonín Dvořák in Holmes Lounge.

At the far edge of the solar system lies the Oort Cloud, a vast collection of icy comets representing the furthest reaches of the sun’s gravitational influence. On Sunday, March 23, seven members of the St. Louis Symphony will perform “Oort Cloud,” an original composition by principal timpanist Shannon Wood, in WUSTL’s E. Desmond Lee Concert Hall.

Water. It is the source of life, the indispensible molecule, the elemental force that carves rivers, topples mountains, nurtures crops and extinguishes flame. In “Scattered,” Motionhouse Dance Theatre combines daring movement, mid-air acrobatics and state-of-the-art projection technology to capture the might, majesty and savagery of water.

Eric Lundgren’s debut novel, “The Facades,” has been praised by The New Yorker as “hardboiled existentialism.” Marni Ludwig’s debut collection of poetry, “Pinwheel,” was chosen by Jean Valentine for the 2012 New Issues Poetry Prize. On Thursday, March 6, these two recent alumni will return to campus for a free public reading.

For his Lost Memory collection, photographer Stanley Strembicki documented water-damaged photographs former residents of New Orleans were forced to abandon during Hurricane Katrina.

Schubert borrowed from Beethoven. Public Enemy sampled Isaac Hayes. Ice Cube quoted Kool and the Gang while Brahms let drop with “Variations on a Theme from Haydn.” Hip-hop and classical music: perhaps not as different as you think. Old news to Wilner “Wil-B” Baptiste and Kevin “Kev Marcus” Sylvester, a.k.a. Black Violin.

Charlie Robin, director of Edison Theatre, recommends the dancer-athletes of Diavolo. Diavolo is performing at the Touhill Center this Friday, Feb. 28, and Saturday, March 1.