Arts & Culture

The ziggurat drum. The nail violin. The gong array with artillery shells. The chariot of choir. If Mad Max and Dr. Seuss started a band, it might look something like Scrap Arts Music, which comes to Edison March 20 and 21. The Vancouver-based percussion ensemble builds wild, one-of-a-kind instruments from gleaming industrial salvage.

The Center for the Humanities and the Sam Fox School of Design & Visual Arts have announced the first recipients of Faculty Collaborative Grants. Presented under the auspices of The Divided City, a new urban humanities initiative, the awards are funded in part by a four-year grant from the Andrew W. Mellon Foundation.

Since the mid-1990s, thousands of Bosnian refugees have settled in South St. Louis. Today, “Little Bosnia’ includes more than 60,000 people — the largest Bosnian community outside Bosnia. On Tuesday, March 3, the Department of Music and musicians from the St. Louis Symphony will explore their stories with a free concert titled “Bosnian Journeys: Generations.”

Higher education reduces recidivism rates by as much as half. Yet today, only a small fraction of U.S. prisoners have access to such programs. In the fall of 2014, University College launched the Washington University Prison Education Project, a three-year pilot program supported by a grant from the Bard Prison Initiative.

The Washington University Symphony Orchestra, with student soloist Silas Hsu, will present early, reputation-making works by Wolfgang Amadeus Mozart, Jean Sibelius and Edvard Grieg at 7:30 p.m. Monday, Feb. 23, in the E. Desmond Lee Concert Hall at the 560 Music Center.

Stanley Nelson’s documentary “The Black Panthers: Vanguard of a Revolution,” will be shown at 7 p.m. Thursday, Feb. 26 in Steinberg Auditorium on the campus of Washington University in St. Louis. The screening is co-sponsored by Cinema St. Louis and by the Program in African and African-American Studies in Arts & Sciences; the Center for Diversity and Inclusion; and the Washington University Film & Media Archive of Washington University Libraries.

The killing is not in doubt: A black man is dead; a white man pulled the trigger. The only real question is why. James Baldwin wrote “Blues for Mr. Charlie”  in 1964. But today, the echoes of Ferguson are impossible to ignore. The production of the Performing Arts Department in Arts & Sciences at Washington University in St. Louis runs Feb. 20 through March 1 in Edison Theatre.

Since 1968, the United States has been represented by 28 secretaries of state. But only 25 vocalists have had the chops to call themselves King’s Singers. At 8 p.m. Saturday, Feb. 21, the celebrated British ensemble will bring its peerless polyphony to Washington University in St. Louis’s 560 Music Center.

​Class Acts takes a look at John Schmidt, a senior in Arts & Sciences and the white playwright behind this weekend’s Black Anthology. Schmidt also is an editor for Student Life, writer and director for Lunar New Year, a residential advisor and opera singer. Schmidt says his “listening ear” helps him in his various roles. Black Anthology takes place at 7 p.m. Friday and Saturday, Feb. 6 and 7.

The Eliot Trio — pianist Seth Carlin, professor of music in Arts & Sciences, violinist David Halen and cellist Bjorn Ranheim, both of the St. Louis Symphony — will play the music of Beethoven, Bruch and Mendelssohn for its annual concert at 8 p.m. Friday, Feb. 6, in Holmes Lounge on the Danforth Campus.