Arts & Culture

The Washington University Symphony Orchestra, with student soloist Silas Hsu, will present early, reputation-making works by Wolfgang Amadeus Mozart, Jean Sibelius and Edvard Grieg at 7:30 p.m. Monday, Feb. 23, in the E. Desmond Lee Concert Hall at the 560 Music Center.

The killing is not in doubt: A black man is dead; a white man pulled the trigger. The only real question is why. James Baldwin wrote “Blues for Mr. Charlie”  in 1964. But today, the echoes of Ferguson are impossible to ignore. The production of the Performing Arts Department in Arts & Sciences at Washington University in St. Louis runs Feb. 20 through March 1 in Edison Theatre.

Since 1968, the United States has been represented by 28 secretaries of state. But only 25 vocalists have had the chops to call themselves King’s Singers. At 8 p.m. Saturday, Feb. 21, the celebrated British ensemble will bring its peerless polyphony to Washington University in St. Louis’s 560 Music Center.

​Class Acts takes a look at John Schmidt, a senior in Arts & Sciences and the white playwright behind this weekend’s Black Anthology. Schmidt also is an editor for Student Life, writer and director for Lunar New Year, a residential advisor and opera singer. Schmidt says his “listening ear” helps him in his various roles. Black Anthology takes place at 7 p.m. Friday and Saturday, Feb. 6 and 7.

The Eliot Trio — pianist Seth Carlin, professor of music in Arts & Sciences, violinist David Halen and cellist Bjorn Ranheim, both of the St. Louis Symphony — will play the music of Beethoven, Bruch and Mendelssohn for its annual concert at 8 p.m. Friday, Feb. 6, in Holmes Lounge on the Danforth Campus.

In 1980, Liz Callaway and Jason Graae made their off-Broadway debuts in “Godspell.” Three decades later, the pair are Broadway veterans, each boasting a long and storied career. On Feb. 14, these old friends will reunite at Washington University for “Happily Ever Laughter: A Valentine’s Party.” The special one-night-only performance is presented by the Edison Ovations Series.

The Sam Fox School of Design & Visual Arts will launch its spring Public Lecture Series with talks by architect Javier Maroto (Jan. 26) and artist Carrie Mae Weems (Feb. 2). Weems is a 2013 recipient of the MacArthur “genius award.” Her “Untitled (Colored People Grid)” recently was acquired by the university’s Mildred Lane Kemper Art Museum.

Jazz bassist and composer Eric Warren will launch the spring Jazz at Holmes series with a free concert Thursday, Jan. 22. In all, the weekly series will feature 12 performances, including evenings with acclaimed guitarist John Abercrombie and saxophonist Eric Person, a St. Louis native now living in New York.

For Carmon Colangelo, dean of the Sam Fox School of Design & Visual Arts, drawing is both an expressive art and a daily practice. At the office or in the studio, a sketchbook is always near at hand.

During the 1950s and ’60s, international abstraction played a crucial role in Cold War cultural politics. In St. Louis, Washington University emerged as one of the nation’s most important regional centers for postwar abstract art — in large part thanks to the efforts of curator William N. Eisendrath Jr. This spring, the Mildred Lane Kemper Art Museum will pay homage with “From Picasso to Fontana: Collecting Modern and Postwar Art in the Eisendrath Years, 1960-68.”