Arts & Culture

The Mildred Lane Kemper Art Museum will present the first solo exhibition in the Midwest by Brooklyn, N.Y.-based artist Chitra Ganesh. In her multidisciplinary practice, Ganesh draws on Buddhist and Hindu iconography, science fiction, queer theory, comics, Surrealism, Bollywood posters and video games, combining them with her own imagery to present speculative visions of society in the past, present and future.

Undergraduate vocalists Zoe Levin and Izzy Williams join pianist Kara Mehrmann for an exclusive performance of a holiday classic.

The course “Designing Creativity: Innovation Across Disciplines” teaches students that everyone is creative.

Renowned architect Soo K. Chan, AB ’84, is the master of blurring the line between indoors and out.

“Return,” the 2021 WashU Dance Theatre concert and the Performing Arts Department’s first fully staged dance production in nearly two years, will run in Edison Theatre Dec. 3-5.

In “Confronting Urbanization,” a wall-sized drawing at the Venice Architecture Biennale, Petra Kempf combines copious data and mischievous symbolism to explore how smart phones, online commerce and global connectivity are reshaping the urban terrain.

In “The Science of Leaving Omaha,” playwright Carter W. Lewis brings sly humor and deep sympathy to a story of young people, stalled lives and the desperation for escape. Commissioned by WashU’s Performing Arts Department, the play will receive its world premiere Nov. 18-21.

Afrobeat, Spanish dance, Ukrainian multi-instrumentalists and contemporary Son jarocho and Afro-Mexican music. Next spring, WashU’s Center for the Study of Race, Ethnicity & Equity (CRE2) and Department of Music will partner with The Sheldon to present the fourth annual Whitaker World Music Series.

Through the innovative ‘Made to Model’ program, WashU students are producing, designing and creating formal fashion for St. Louis-area kids who might otherwise be overlooked.

The Mildred Lane Kemper Art Museum will present “Portrait, number 1 man (day clean ta sun down),” a two-day performance by artist Sheldon Scott, Nov. 18 and 19. An homage to Scott’s enslaved ancestors, the piece consists of the artist hulling and winnowing rice without break from sunrise to sunset.