Arts & Culture

Teatro Hugo & Ines in *Short Stories*Puppetry? Not just for kids anymore. Teatro Hugo & Ines — a.k.a. Hugo Suarez and Ines Pasic — create a world of unlimited, cartoon-like possibility, enlisting elements of puppetry, mime and dance to transform hands and feet, elbows, knees and bellybuttons into a colorful parade of extraordinary, oddball characters.

Sean Scully, *Untitled* (1989), Oilstick and watercolorThe Gallery of Art at Washington University in St. Louis will present American Art on Paper from the 1960s to the Present: Selections from the Permanent Collection Jan. 23 to April 18. The exhibiiton includes 47 prints, drawings and photographs by 31 nationally and internationally known artists.

William Merritt Chase (American 1849-1916), *Courtyard of a Dutch Orphan Asylum* c. 1884, Oil on canvas on boardAll roads may lead to Paris, but for 19th century American painters, many at least traveled through St. Louis. In January, the Gallery of Art at Washington University in St. Louis will present Painting America in the 19th Century: Selections from the Permanent Collection. The exhibition includes works by 13 major American painters — many of whom lived or worked in Missouri.

David Kilper/WUSTL PhotoPictured are student dancers performing Jennifer Medina’s *Arcadia*.Washington University Dance Theatre (WUDT), the annual showcase of professionally choreographed works performed by student dancers, will present its 2003 concert, dance@stl.art, Dec. 5-7.

Washington University’s Center for the Humanities in Arts & Sciences will present Celebrating Our Books, Recognizing Our Authors, its second annual faculty book colloquium, at 4 p.m. Thursday, Dec. 4, in the Ann W. Olin Women’s Building Formal Lounge.

Sabrina Ursaner/PADPictured, left to right: Judith Lesser as Irina, Robin Kacyn as Olga and Merrie Brackin as Masha.The Performing Arts Department (PAD) in Arts & Sciences will present David Mamet’s adaptation of Anton Chekov’s late masterwork, The Three Sisters (1901/1991) — considered by many critics to be the finest drama of the 20th century — in the A.E. Hotchner Studio Theatre Nov. 14-15 and 21-23.

PatersonAcclaimed children’s author Katherine Paterson, author of Bridge to Terebithia, will host a pair of events for Washington University’s 2003-04 Center for the Humanities’ Writers Series Nov. 17-18.

Ornette Coleman, inspiration for successful judging.Although United States laws attempt to safeguard the rights and interests of minorities, the subordination of socially disfavored groups persists in part because of informal structures and networks that have the effect of perpetuating social inequality. Christopher Bracey, an expert in the fields of American race relations and civil rights and associate professor of law at Washington University in St. Louis, says that judges must respond to these destructive patterns of social and economic stratification through their interpretation of the law, or successful judging. In his article, “Adjudication, Antisubordination, and the Jazz Connection” (Alabama Law Review, Vol. 54), Bracey says inspiration on how to realize democracy through judging can be found through the free jazz movement, more specifically, the work of Ornette Coleman.

Photo courtesy of Visual Media Center, Columbia UniversityAmiens CathedralStephen Murray, a leading authority on medieval art and architecture and founder of the Visual Media Center at Columbia University, will speak on Medieval Architecture and the New Media: Representing and Creating Humanistic Content at 6 p.m. Tuesday, Nov. 18.

The Kingsbury Ensemble, a group specializing in music of the Baroque and Classical periods, will present a concert titled Fête Galante: Love & Nature at 7:30 p.m. Sunday, Nov. 9, in Washington University’s Holmes Lounge.