PAD to present world premiere of civil disobedience, new drama by Carter Lewis, Feb. 23 to March 4

David Kilper/WUSTL Photo ServicesNoga Landau as AgnesConservative versus liberal, political versus personal, father versus daughter. Such are the forces at play in civil disobedience, a world premiere drama by Carter Lewis, playwright-in-residence in Washington University’s Performing Arts Department (PAD) in Arts & Sciences. Commissioned by the PAD, the play centers on the relationship between Fred, a conservative justice on the Massachusetts Supreme Court, and his daughter Marlee, a social activist and Manhattan bookstore owner.

Free symphony orchestra concert Feb. 11

KWUR (90.3 FM), Washington University’s student-run radio station, will launch KWUR WEEK, a series of on-campus events, with a free concert by four of the Saint Louis Symphony Orchestra’s newest—and youngest—players. The program will include string quartets by Franz Joseph Haydn and Johannes Brahms.

Friendship spurs world premiere of Schvey’s play

In 1973, while a doctoral student at Indiana University, Henry I. Schvey befriended the eminent Austrian expressionist painter Oskar Kokoschka (1886-1980). Now chair of Washington University’s Performing Arts Department in Arts & Sciences, Schvey has written “Kokoschka: A Love Story,” an original drama about the artist’s torrid affair with Alma Mahler (1879-1964), the beautiful widow of composer Gustav Mahler (1860-1911).

Kemper Art Museum to host panel discussion on Reality Bites: Making Avant-garde Art in Post-Wall Germany Feb. 9

Rudolf HerzRudolf Herz, *Dachau, Museumsbilder, 1976/80 (Museum Photographs, Dachau, 1976/80)*The Mildred Lane Kemper Art Museum will host a roundtable discussion with three prominent German artists — Rudolf Herz, Christian Jankowski and Via Lewandowsky — at 4 p.m. Friday, Feb. 9. All three artists are featured in the new exhibition, Reality Bites: Making Avant-garde Art in Post-Wall Germany, which opens later that evening. Also taking part will be three contemporary scholars and critics: Diedrich Diederichsen, Sabine Eckmann and Lutz Koepnick.
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