A.E. Hotchner Playwriting Festival hosted by Performing Arts Department
Joe Angeles/WUSTL Photo ServicesNoga Landau and Sathya SridharanThree aspiring playwrights will present staged readings of their works Sept. 25 and 26 as part of 2007 A.E. Hotchner Playwriting Festival, sponsored by the Performing Arts Department (PAD) in Arts & Sciences. Named in honor of alumnus A.E. Hotchner (AB and JD ’40), the festival consists of an intensive two-week workshop that culminates in the staged readings. Each of the participating plays — which are selected by jury — will also be eligible for a full production as part of the PAD’s 2008-09 season.
Performing Arts Department to host A.E. Hotchner Playwriting Festival Sept. 25 and 26
Joe Angeles/WUSTL Photo ServicesNoga Landau and Sathya SridharanThree aspiring playwrights will present staged readings of their works Sept. 25 and 26 as part of 2007 A.E. Hotchner Playwriting Festival, sponsored by the Performing Arts Department (PAD) in Arts & Sciences. Named in honor of alumnus A.E. Hotchner (AB and JD ’40), the festival consists of an intensive two-week workshop that culminates in the staged readings. Each of the participating plays — which are selected by jury — will also be eligible for a full production as part of the PAD’s 2008-09 season.
Writer, scientist Lightman imagines Einstein’s dreams
As a distinguished theoretical physicist and accomplished writer, Alan Lightman has successfully bridged the gap between science and the humanities. At 4 p.m. Wednesday, Sept. 19, in Graham Chapel, Lightman will provide an understanding of one of the greatest triumphs of the human imagination with the Department of English Hurst Visiting Professorship Lecture, “Einstein and Relativity.”
Writer and scientist Alan Lightman explores Einstein’s dreams of relativity for the Assembly Series
Physicist and writer Alan Lightman travels through Einstein’s dreams to help us understand the theory of relativity.
Washington University Chamber Orchestra in concert Sept. 4
The Department of Music in Arts & Sciences will launch its fall 2007 concert series with “4 x 4,” a performance by the Washington University Chamber Orchestra at 8 p.m. tonight in Holmes Lounge.
Kemper Art Museum to present panel discussion on ‘Window | Interface’
Groundbreaking video artist Peter Campus will join curators Sabine Eckmann and Lutz Koepnick for a panel discussion relating to the exhibition Window | Interface at 6 p.m. Aug. 31. Co-curated by Eckmann and Koepnick and featuring works by Campus, the exhibition explores the ways in which electronic windows and interfaces — for example, video screens, computer monitors and cell phone displays — have come to structure the practice and experience of art today.
Assembly Series announces changes; opens fall 2007 schedule with Maya Lin
The Fall 2007 Assembly Series parts with some of the traditions of the 54-year-old lecture series, while maintaining its mission of presenting to the Washington University community some of the most distinctive and vibrant voices of the day.
Bruce Lindsey appointed E. Desmond Lee Professor
Bruce Lindsey, dean of the College of Architecture and the Graduate School of Architecture & Urban Design, has been named the E. Desmond Lee Professor for Community Collaboration in the Sam Fox School of Design & Visual Arts.
Window | Interface at Kemper Art Museum
This month, the Mildred Lane Kemper Art Museum will present Window | Interface, an exhibition highlighting the use of windows and interfaces as both boundaries and sites of transaction between machine and mind, data and perception, the world of the body and the world of the imagination.
Mildred Lane Kemper Art Museum to present panel discussion on Window | Interface Aug. 31
Peter Campus, *Prototype for Interface*Groundbreaking video artist Peter Campus will join curators Sabine Eckmann and Lutz Koepnick for a panel discussion relating to the exhibition Window | Interface at 6 p.m. Aug. 31. Co-curated by Eckmann and Koepnick and featuring works by Campus, the exhibition explores the ways in which electronic windows and interfaces — for example, video screens, computer monitors and cell phone displays — have come to structure the practice and experience of art today.
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