Arts & Culture

The fall 2009 Assembly Series will start off on a light note with comedic filmmaker and Washington University alumnus Harold Ramis. The series continues through mid-November covering topics on entrepreneurship, equal rights, human rights, government and the environment. 

  “Embattled Israeliness, Embedded Jewishness: Jewish Influences on Israeli Music” is the focus of a lecture by visiting Israeli scholar Assaf Shelleg at 8 p.m., Sept. 2, in the Whitaker Hall Auditorium at Washington University.  

Amidst the cultural and political ferment of the 1960s, avant-garde artists and architects began embracing biological and scientific models as well as the potentials of emerging technologies to explore radical new directions in urban design, developing projects that were at once fanciful, complex and conceptually serious. This fall the Mildred Lane Kemper Art Museum will present Metabolic City, an exhibition surveying work by the British collective Archigram; the Japanese Metabolists (whose members include Fumihiko Maki, architect of the Kemper Art Museum); and the Dutch painter Constant Nieuwenhuys, an early member of the Situationist International.

Ethnic profiling is illegal in the United States, prohibited by the Fourth Amendment, which requires probable cause for searches and seizures, and by the Fourteenth Amendment, which calls for equal protection under the law. And yet as the recent arrest of Harvard scholar Henry Louis Gates demonstrates, the issue remains far from settled. This fall Washington University in St. Louis will present “Ethnic Profiling: A Challenge to Democracy,” a semester-long series exploring the history, impact and ethical issues surrounding ethnic profiling through lectures, readings, performances, panel discussions and other events.

Live performance has always been a multidisciplinary event, its three great streams — theater, music and dance — forever shifting and combining in new and unpredictable ways. For its 2009-10 season, the Performing Arts Department (PAD) in Arts & Sciences will present a handful of works that together highlight both the boundless possibility and transformational power of the stage.

Dripping or flinging paint; flipping coins to compose musical scores; letting the progressive decay of organic materials determine a composition — since the early 20th century avant-garde artists have used these processes and many others to explore the creative possibilities of chance and its attendant release of authorial intent. This fall the Mildred Lane Kemper Art Museum will present Chance Aesthetics, a major loan exhibition investigating the use of chance as a key compositional principle in modern art.

Students who learn history by watching historically based blockbuster movies may be doomed to repeat the historical mistakes portrayed within them, suggests a new study from Washington University in St. Louis. Findings suggest showing popular history movies in a classroom setting can be a double-edged sword when it comes to helping students learn and retain factual information in associated textbooks.

The Mildred Lane Kemper Art Museum at Washington University in St. Louis has received a $50,000 grant from the Andy Warhol Foundation for the Visual Arts, Inc., to support the exhibition Sharon Lockhart—Lunch Break. Organized by Sabine Eckmann, Ph.D., the museum’s director and chief curator, the exhibition will open Feb. 10, 2010, and remain on view through April 19.

A photo exhibit at the Farrell Learning and Teaching Center this summer just goes to show that some things run in a family. The father-son photography duo of Edward and Josh Geltman will be on display beginning at 5:30 p.m. July 24 in the hearth area of the FLTC. The show runs until September 20.

In an unstable world chance events can seem to threaten our claims to self-determination. Yet in the early 20th century avant-garde artists embraced chance as a primary compositional principle. This fall the Mildred Lane Kemper Art Museum will present Chance Aesthetics, a major loan exhibition examining the use of chance in modern art. The exhibition is the first of four major shows slated for the 2009-10 academic year.