Arts & Culture

John CageSince the early 20th century avant-garde writers, artists and composers have championed the creative possibilities of the arbitrary and the accidental. Next week the Department of Music and the Dance Program in the Performing Arts Department, both in Arts & Sciences, along with the Mildred Lane Kemper Art Museum will host a concert exploring the use of chance in modern and contemporary music. The performance — held in conjunction with the exhibition Chance Aesthetics, now on view at the Kemper Art Museum — is free and open to the public and begins at 7 p.m. Wednesday, Oct. 7, in the 560 Music Center’s E. Desmond Lee Concert Hall.

Author Rikki Ducornet, the Visiting Fannie Hurst Professor of Creative Literature in The Writing Program in Arts & Science, will read from her work at 8 p.m. Thursday, Oct. 1. In addition, she will lead a talk on the craft of fiction at 8 p.m. Thursday, Oct. 8. Ducornet, the is the author of seven novels, including The Fan Maker’s Inquisition (2004) — a Los Angeles Times Book of the Year—and The Jade Cabinet (1993), a finalist for the National Book Critics’ Circle Award.

The new Living Learning Center at Tyson Research Center was designed to be one of the greenest buildings in North America. Jonathan Chase, associate professor of biology in the Department of Biology and Environmental Studies in Arts & Sciences and Tyson’s director; and Daniel Hellmuth, principal and co-founder of Hellmuth & Bicknese Architects, L.L.C., will deliver a talk about the Center and its challenges for the Assembly Series at 5 p.m. Thursday, September 24 in Wilson Hall Room 214. The program is free and open to the public.

In the 1930s, the photographer Ansel Adams struck up a friendship with California painter Chiura Obata. Yet the arrival of World War II would set these two celebrated artists on radically divergent paths — paths that would, in very different ways, lead both to the now-infamous “war relocation centers” at which the U.S. government forcibly interred approximately 120,000 Japanese-Americans. Next month their sons, Michael Adams and Gyo Obata, will explore the impact of internment on their respective families in a public dialog at Washington University.

Provocative questions of activism, justified violence and making a difference lie at the heart of “underground,” an ambitious evening-length multimedia dance piece by acclaimed choreographer David Dorfman Sept. 25 and 26.

Fairytales do come true — sort of. Just ask Sleeping Beauty, whose 900 years of enchanted rest finally come to an end in a modern-day sleep disorder clinic, far from the land of far far away. Welcome to Sleeping Beauty Wakes, an artfully twisted take on the classic children’s story, by theatrical power-pop trio GrooveLily. In October these acclaimed indie troubadours will return to St. Louis for a pair of performances as part of the Edison Theatre OVATIONS Series.

Fiction writer Lydia Millet will read from her work at 8 p.m. Thursday, Sept. 17, for Washington University’s Writing Program in Arts & Sciences Millet is the author of six novels, beginning with the subversive coming-of-age tale Omnivores (1996), which centers on a young woman whose megalomaniac father turns their home into an armed camp after seceding from the United States. Her third novel, My Happy Life (2002), won the 2003 PEN-USA Award for Fiction. Her latest book is the forthcoming story collection Love in Infant Monkeys.

Julie Otsuka will present the Assembly Series and Neureuther Library lecture at 3:30 p.m., Tuesday, September 15 in Graham Chapel. Otsuka’s debut novel, “When the Emperor Was Divine” is this year’s Freshman Reading Program selection.

Around the world dance is often quite literally the physical embodiment of cultural identity and practice. Yet for individual dancers, the power of such traditions can give rise to certain expectations and even stereotypes based on perceived identity. On Sept. 12 the Dance Program in the Performing Arts Department in Arts & Sciences will explore the role of ethnicity in contemporary dance with “Dancing Who I Am,” a panel discussion and informal concert featuring faculty members as well as leading critics and choreographers from around the country. The event comes as part of the semester-long series “Ethnic Profiling: A Challenge to Democracy,” organized by the Center for the Study of Ethics and Human Values. Also as part of the series, the Kathryn M. Buder Center for American Indian Studies will screen Ancestor Eyes, an award-winning Native American short film, Sept. 13.

Violinist Erin Schreiber, assistant concertmaster of the Saint Louis Symphony Orchestra, will join pianist Martin Kennedy, assistant professor of composition and theory in the Department of Music in Arts & Sciences, for a free concert Thursday, Sept. 3.