Arts & Culture

Mary Lou’s Mass is like a prayer on stage: a spirited homily rooted in the southern church, an uplifting sermon on life’s trials and ecstasies. On Nov. 30-Dec. 2, students from the Performing Arts Department in Arts & Sciences will perform excerpts from this groundbreaking collaboration between choreographer Alvin Ailey and jazz pianist Mary Lou Williams as part of Rootedness, Mobility and Migration, the 2012 Washington University Dance Theatre concert.

In the early 20th century, Georges Braque and Pablo Picasso invented Cubism and shook the foundations of Western art. But in the 1930s, as the rise of fascism brought new urgency to questions of aesthetics and politics, Braque’s fractured still lifes and bourgeois interiors remained emphatically inward-looking. Yet Braque’s painting was not as separate from outside events as Braque might have it, argues Georges Braque and the Cubist Still Life, 1928-1945, the first major U.S. museum exhibition dedicated to the artist in 16 years. ​

Angelina toils away for her two preening stepsisters. But when Prince Ramiro visits the household, disguised as a mere valet, it is love at first sight. In La Cenerentola, Gioachino Rossini offers a brisk, witty and emphatically non-supernatural variation on the traditional Cinderella story. On Nov. 15-16, the Washington University Opera Workshop will present excerpts from La Cenerentola and four other works in the 560 Music Center.

In the United States, packaging makes up one third of municipal solid waste. But rather than merely recycling such materials, a recent student-led project — involving the School of Medicine, the Sam Fox School of Design & Visual Arts and the Environmental Health & Saftey area — is working to transform them into art.

In 1827, a young giraffe named Zarafa was shipped from the Sudan to Paris, where her arrival caused an immediate sensation. That true history forms the basis of Zarafa, an animated French film that combines Zarafa’s story with that of Maki, a 10-year-old escaped slave. This weekend, the Center for the Humanities and the Program in Film & Media Studies will screen Zarafa as part of their Ninth Annual Children’s Film Showcase.

Sandra Brennan, longtime assistant to the dean of the Sam Fox School Design & Visual Arts, died at her home in Webster Groves Monday, Oct. 29, following a long illness. She was 73. 

Groundbreakers Bill T. Jones and Arnie Zane had a 17-year partnership, interrupted only by Zane’s death in 1988, that was arguably the most productive in contemporary dance. On Nov. 16-17, the company they formed will return to St. Louis with Body Against Body, a retrospective of groundbreaking duets.

It’s not every day you get to play with the greats. On Oct. 20, famed trumpeter Wynton Marsalis and the Jazz at Lincoln Center Orchestra — arguably the nation’s finest jazz big band — joined the St. Louis Symphony for a performance of Marsalis’ Swing Symphony. The day before, Marsalis and Co. visited WUSTL’s 560 Music Center to conduct a clinic with students from the East St. Louis High School Jazz Band.

The world is getting smaller, but cities are getting bigger. That growth represents a key challenge and a key opportunity for 21st century sustainability. In November, the Sam Fox School of Design & Visual Arts will present URBANISM(S): Sustainable Cities for One Planet, an international symposium exploring the future of global urban design. The two-day event will feature a range of talks on the ecology, infrastructure and social life of cities, as well as keynote address by Pritzker Prize-winning architect Thom Mayne.

Patrick Kennedy is a garrulous alcoholic, drenched in whisky and Shakespeare. His daughters — insecure Judith, acerbic Rose and idealistic Maud — are variations on the theme of spinsterhood. In other words, a typical broken Irish family. Ah, but wait. All is not exactly as it seems, here in County Sligo. In The Night Season, British playwright Rebecca Lenkiewicz flirts with the tropes of Irish drama, inhabiting and upending in equal measure.