Arts & Culture

Written in 1956 as a gift for a friend’s wedding, Daniel Pinkham’s Wedding Cantata consists of four movements based on texts from The Song of Songs, the Biblical book most explicitly dedicated to the joys of earthly love. On April 1, the Washington University Concert Choir and the Washington University Chamber Choir will present the Wedding Cantata as the centerpiece of Many Waters, a free concert of songs about love and marriage.

Fracture, fragmentation and juxtaposition. Over the course of the 20th century, such modernist techniques would become defining traits of both popular and avant-garde film, which in turn would profoundly influence the work of the contemporary British artist John Stezaker. Later this month, the Mildred Lane Kemper Art Museum will present three classic films — all selected by Stezaker himself — as part of its Fringe Figure Film Series.

Inner Horn is a small country. So small, in fact, that only one citizen at a time can fit inside. But when Inner Horn unexpectedly shrinks, it sparks a crisis in neighboring Outer Horn, which falls to a jingoistic dictator. Such is the premise of The Brief and Frightening Reign of Phil (2005), a wickedly funny and wildly original political allegory by George Saunders. On March 27 and 29, Saunders, the Visiting Hurst Professor of Creative Writing, will deliver a pair of events for The Writing Program in Arts & Sciences.

As a young child, Josef Albers watched his handyman father paint houses. He grew up to become a famous artist, studying color and reducing images to their simplest shapes. On March 31, the Mildred Lane Kemper Art Museum will host its spring Community Day, a free afternoon of all-ages activities. Events will include tours, performances, art-making and a reading from the children’s book An Eye for Color: The Story of Josef Albers.

Playwright, actor and theater scholar Ashley Lucas, PhD, assistant professor of dramatic art at the University of North Carolina at Chapel Hill, will speak on “Prisoners, Families and Performance: Community Engagement Through the Arts” at 4 p.m. Monday, March 26 in Eliot Hall. Lucas is the 2012 Merle Kling Undergraduate Honors Fellowship Speaker.

Misanthropic Alice is a budding eco-terrorist. Corvus has dedicated herself to mourning. Annabel is desperate to pursue the indulgences of ordinary American life. Misfit and motherless, these three teenage girls traverse a surreal desert landscape of eccentric characters, air-conditioning and darkly illuminating signs and portents. Welcome to The Quick and the Dead, the fourth novel by acclaimed fiction writer Joy Williams, who will read from her work March 21 for The Writing Program in Arts & Sciences.

“The truth is puddles of predictability. This is going to have music and dancing and people dying, and it’s going to be amazing.” So observes Lilly, a 14-year-old novelist whose latest story may or may not be based on her own recently deceased mother. But the line could well serve as a statement-of-purpose for Camden & Lilly, the new play by Carter Lewis, which will receive its world premiere later this month at Washington University in St. Louis.

“The goal of our work is to create parks that are intrinsically urban — not places to escape from the city, but places to escape within the city.” So observes landscape architect Michael Van Valkenburgh, currently leading the design team charged with reimagining the 91-acre park surrounding St. Louis’ iconic Gateway Arch. On March 19, Van Valkenburgh will discuss his work as part of the Sam Fox School of Design & Visual Arts’ spring Public Lecture Series.

Kathryn A. Dean, director of the Graduate School of Architecture & Urban Design and professor of architecture in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, was installed as the JoAnne Stolaroff Cotsen Professor of Architecture. The ceremony was held Dec. 2, 2011, in Steinberg Auditorium.

A lone tenor takes the stage. Her voice is hushed and plaintive over a pair of drums but quickly grows full and strong as she’s joined by a score of fellow singers. The song is Jesu Ngowethu, a traditional Zulu spiritual, and it marks the beginning of African Grace, the new program by Soweto Gospel Choir. On March 23, the Grammy Award-winning ensemble will return to Washington University as part of the Edison Ovations Series.