Virginia Terpening, rediscovered

Virginia Terpening was an accomplished painter and an important regional artist. Yet by the time of her death, in 2007, Terpening’s work had been largely forgotten; hundreds of paintings languished in a rusty trailer in northeastern Missouri. Yet now a reappraisal is underway, thanks in large part to The Hinge, a nonprofit gallery cofounded by Eileen G’Sell, lecturer in The Writing Program in Arts & Sciences.

‘The Wonder Bread Years’ Jan. 24 and 25

The food was terrible. Kool-Aid, Manwich, Jiffy Pop, Twinkies, Spam (when the word referred to something edible). But Pat Hazell loved it all. In “The Wonder Bread Years,” Hazell — one of the original writers for “Seinfeld” — turns a fond yet pitiless eye to the brick-a-brack of American childhood. The acclaimed one-man show comes to the Edison Ovations Series Jan. 24 and 25.

Beethoven, Tchaikovsky and Brahms Dec. 9

The hope was to repair a friendship. The result was a masterwork. On Dec. 9, the St. Louis Symphony’s Bjorn Ranheim and Shawn Weil will join the Washington University Symphony Orchestra for a performance of Johannes Brahms’ “Double Concerto in A for Violin and Cello.”​

Handel’s Messiah Sunday, Dec. 15

It is perhaps the most beloved work of holiday music. The debut was almost prevented by Jonathan Swift. But on Dec. 15, the Department of Music in Arts & Sciences will present its annual sing-along of George Frideric Handel’s oratorio Messiah (1741) in Graham Chapel.

Marc Copland, Gary Peacock and Joey Baron

As a young saxophonist in the early 1970s, Marc Copeland experimented with modern and electric harmonies but grew dissatisfied with his instrument. He quit the sax and, a decade later, re-emerged as a jazz pianist, renowned for his dexterous lyricism. On Friday, Dec. 6, Copland will join acclaimed bassist Gary Peacock and drummer Joey Baron for a performance in WUSTL’s 560 Music Center.
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