Author: Liam Otten

In 1974, Walt Reed opened the Illustration House. For decades, the New York gallery was the nation’s premier advocate for illustration art. Now, Washington University Special Collections has worked with Reed and his son, Roger, to acquire the Illustration House archives, along with a substantial number of original artworks.

Like a duel set to music, the malambo is hard and fast, explosive and competitive, as forceful and graceful as the Argentine cowboys — the legendary gauchos — who have been performing it since the 1600s. On Friday and Saturday, Nov. 22 and 23, Edison will welcome Che Malambo to St. Louis as part of the group’s first North American tour.

In the age of e-readers, is the printed book obsolete? On Thursday, Nov. 7, cultural historian Robert Darnton—author of The Case for Books: Past, Present, and Future—will present the keynote address for “Celebrating Our Books, Recognizing Our Authors,” Washington University in St. Louis’ 12th annual faculty book colloquium.

“Over the last decade, J. Robert Lennon’s literary imagination has grown increasingly morbid, convoluted and peculiar,” writes The New York Times Book Review, “just as his books have grown commensurately more surprising, rigorous and fun.” Lennon, the Visiting Hurst Professor of Creative Writing at Washington University in St. Louis, will host a pair of events Nov. 5 and 7.

With its blunt depictions of adolescent sexuality and startling mixture of contemporary expression and fin de siècle restraint, Spring Awakening—by WUSTL alumnus Steven Sater—is among the most influential, unexpected and beloved Broadway shows of recent years. On Oct. 25, the Performing Arts Department will debut a new production in Edison Theatre.

The Master of Landscape Architecture program in the Sam Fox School of Design & Visual Arts has received a full, six-year term of accreditation from the Landscape Architectural Accreditation Board.

In Green and Gray, his fearlessly experimental second collection, Geoffrey G. O’Brien fashions poetry from neighborhood flyers and political speeches, mixing phrases from Dante, the Patriot Act and Jean Genet. That audacious mingling of personal and political continues to inform People on Sunday, O’Brien’s latest, and most autobiographical, collection. On Oct. 10, O’Brien will read from his work for The Writing Program’s fall Reading Series.

Mongolia is a hard land, a place of extremes, of mountains and deserts, of lost empires and tough survivors. On Oct. 20, the “blood brothers” of AnDa Union will bring the stirring, demanding and infectious Music of Inner Mongolia to St. Louis as part of the Edison Ovations Series.

American produce is shipped an average of 1,500 miles before reaching its point of sale. In St. Louis, the 14-acre Magic Chef complex sits empty and unused. Graduate student Haley O’Brien wants to address both problems by growing hydroponic tomatoes on The Hill, an historic Italian-American enclave that boasts some of the finest pasta sauces in the Midwest.

Playwriting is hard. But in recent years, the Performing Arts Department in Arts & Science has emerged as a national incubator for young playwriting talent. We sat down with Carter W. Lewis, playwright-in-residence, to discuss drama versus prose, the upcoming A.E. Hotchner New Play Festival and the difficulties of letting go.