Author: Liam Otten

This spring, Brooklyn, N.Y.-based architecture and design firm Freecell will create a temporary performance space on a vacant lot in St. Louis’ Grand Center neighborhood. On Jan. 27, founding partners Lauren Crahan and John Hartmann will launch the Sam Fox School’s spring Public Lecture Series with a discussion of their work.

Jane Comfort and Company has been described by The New York Times as “a postmodernist pioneer in the use of verbal material in dance.” From Jan. 26-30, company member — and WUSTL alumna — Elinor Harrison will return to campus as the 2014 Marcus Residency Dance Artist.

Ruthe Foster sings like a force of nature. Eric Bibb, with his warm baritone and sparkling, effortless guitar, can seem like the happiest bluesman around. On Saturday, Feb. 15, these two Grammy-nominated blues artists will say “Thanks for the Joy” as part of the Edison Ovations Series.

Virginia Terpening was an accomplished painter and an important regional artist. Yet by the time of her death, in 2007, Terpening’s work had been largely forgotten; hundreds of paintings languished in a rusty trailer in northeastern Missouri. Yet now a reappraisal is underway, thanks in large part to The Hinge, a nonprofit gallery cofounded by Eileen G’Sell, lecturer in The Writing Program in Arts & Sciences.

As an artist, the Sam Fox School’s Patricia Olynyk frequently investigates the intersections of art and science. Now Olynyk is helping to lead a national task force on the topic while also planning a vertical seminar about “The Role of Arts Practice in the Research University.”

The history of the 20th century and the beginnings of the 21st have been scarred by incomprehensible violence and far-reaching political events. This spring, the Mildred Lane Kemper Art Museum will explore both the direct experience and lingering effects of historic upheavals with “In the Aftermath of Trauma: Contemporary Video Installations.”

The food was terrible. Kool-Aid, Manwich, Jiffy Pop, Twinkies, Spam (when the word referred to something edible). But Pat Hazell loved it all. In “The Wonder Bread Years,” Hazell — one of the original writers for “Seinfeld” — turns a fond yet pitiless eye to the brick-a-brack of American childhood. The acclaimed one-man show comes to the Edison Ovations Series Jan. 24 and 25.

Tony Award-winning playwright, and Washington University alumnus, Steven Sater discusses theater, adolescence and his Broadway smash Spring Awakening.

The hope was to repair a friendship. The result was a masterwork. On Dec. 9, the St. Louis Symphony’s Bjorn Ranheim and Shawn Weil will join the Washington University Symphony Orchestra for a performance of Johannes Brahms’ “Double Concerto in A for Violin and Cello.”​

It is perhaps the most beloved work of holiday music. The debut was almost prevented by Jonathan Swift. But on Dec. 15, the Department of Music in Arts & Sciences will present its annual sing-along of George Frideric Handel’s oratorio Messiah (1741) in Graham Chapel.