Author: Liam Otten

Pedro Pitarch has won the 2016-17 James Harrison Steedman Memorial Fellowship in Architecture. The $50,000 grant, which supports international travel for research, is one of the largest such architecture awards in the United States. Pitarch, who was chosen from a field of 100 applicants, will use the grant to explore the intersection of public and private spaces in cities across Europe, Asia and the United States.

Jeffrey McCune discusses his course “The Politics of Kanye West: Black Genius and Sonic Aesthetics.”

Mary Merritt Sale, professor emerita in classics and comparative literature in Arts & Sciences, died under hospice care at her home in Berkeley, Calif., Feb. 8, 2017, from complications of autoimmune disease. She was 87.

The Washington University Symphony Orchestra and Washington University Choirs will join forces March 3 for the 2017 Chancellor’s Concert, featuring music of Franz Schubert and Giovanni Bottesini.

Rod Barnett, chair of the Master of Landscape Architecture program in the Sam Fox School of Design & Visual Arts, has received a $20,000 grant from the Whitaker Foundation to support the St. Louis Parks Project.

“Higher Ground: Honoring Washington Park Cemetery, Its People and Place” will open March 3 at the Sheldon Art Galleries. The exhibition includes works by artists Jennifer Colten, Denise Ward-Brown and Dail Chambers. All three will discuss their projects during a gallery talk April 7 and in a panel discussion at the Missouri History Museum May 24, among other events.

Egon Schwarz, the Rosa May Distinguished Professor Emeritus in the Humanities in Arts & Sciences at Washington University in St. Louis, died Saturday, Feb. 11, 2017. He was 94.

Todd Decker on Oscar favorite “La La Land,” and why Ryan Gosling is no Fred Astaire.

Chicago-based artists Amanda Williams and Andres L. Hernandez, winners of the PXSTL competition, will discuss the project in a public lecture March 8. The free talk will launch the Sam Fox School’s spring Public Lecture Series.

Despite controversy, film ‘advances representations of slavery,’ says scholar Sowande’ M. Mustakeem.