Author: Liam Otten

Chicago-based artists Amanda Williams and Andres L. Hernandez, winners of the PXSTL competition, will discuss the project in a public lecture March 8. The free talk will launch the Sam Fox School’s spring Public Lecture Series.

Despite controversy, film ‘advances representations of slavery,’ says scholar Sowande’ M. Mustakeem.

Jazz at Holmes will present a pair of events with guitar legend Ralph Towner Friday and Saturday, Feb. 17 and 18.

“Macbeth” is a story of moral corruption – and a striking metaphor for the current political moment, says Henry Schvey, who will direct the Shakespeare classic Feb. 24 to March 5 in Edison Theatre.

Rebecca Wanzo, associate professor of women, gender and sexuality studies in Arts & Sciences, discusses culture, cartooning and the Comics Studies Society, of which she is a founding board member.

Betsy DeVos is arguably the most controversial figure ever nominated to lead the U.S. Department of Education. Yet in covering her nomination, many journalists have conflated valid concerns about experience, temperament and political beliefs with questionable assumptions about her religious background, argues Abram Van Engen, associate professor of English.

Acclaimed pianist Jonathan Biss will launch Washington University’s new Great Artist Series with a solo recital Feb. 9 in the E. Desmond Lee Concert Hall. The program will feature late works by Frédéric Chopin, Robert Schumann, Johannes Brahms and György Kurtág.

For Parisians at the end of the 19th century, to attend the opera, the ballet or the Moulin Rouge was to see but also to be seen. This spring the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “Spectacle and Leisure in Paris: Degas to Mucha.” Featuring a broad selection of prints, posters, photographs and film, the exhibition will explore how visual artists at once documented, promoted and participated in the distinctive entertainment cultures that defined the Belle Époque.

A kiss. A punch. A body braced for impact. The paintings of Rosalyn Drexler exude uncanny stillness, anticipation and, frequently, the dread of imminent violence. This spring the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “Rosalyn Drexler: Who Does She Think She Is?,” the first full-career retrospective for the multitalented artist.

The sharing economy is revolutionizing how consumers engage services and utilize resources. Could it also help solve the problem of hunger?