Author: Liam Otten

For more than a century, the area between Brookings Hall and Skinker Boulevard has served as a welcoming “front door” to Washington University’s Danforth Campus. This spring, the Mildred Lane Kemper Art Museum will explore the area’s evolution, as well as the complex relationship between planning, building design and construction, with “Transformative Visions: Washington University’s East End, Then and Now.”

South African artist Diane Victor, who is known for her delicate, ephemeral-seeming portraits of missing children, AIDS clinic patients and other vulnerable populations, will launch the Sam Fox School of Design & Visual Art’s spring Public Lecture Series with a free talk Monday, Feb. 5.

Los Angeles artist Tim Youd will pay homage to longtime English professor Stanley Elkin by retyping the latter’s 1976 novel “The Franchiser.” Sponsored by the Contemporary Art Museum St. Louis, in conjunction with the exhibition “Tim Youd: St. Louis Retyped,” the 11-day performance begins Jan. 26 in Ridgley Hall’s Holmes Lounge.

Sibling pianists Katia and Marielle Labèque — praised by The New York Times as “the best piano duet in front of an audience today” — will perform four-hand works by Igor Stravinsky, Philip Glass and Bryce Dessner (known to many as guitarist for The National) Jan. 28 as part of the Great Artists Series at Washington University in St. Louis.

Washington University faculty members Tili Boon Cuillé, Lerone A. Martin and Angela Miller have won prestigious research fellowships from the National Endowment for the Humanities.

Printmaking is a distinctive artistic practice that draws from a range of technical traditions. For many artists, this hybrid nature can lend itself to a range of experimental approaches, particularly around issues of multiplicity, seriality and mass communication. This spring, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present three new exhibitions that together explore the modern history and contemporary evolution of printed and editioned artworks.

The Center for the Humanities in Arts & Sciences at Washington University in St. Louis has won a five-year, $1.5 million grant from the Andrew W. Mellon Foundation to help transform doctoral training in the humanities.

Robert Henke, professor of drama and comparative literature in Arts & Sciences, edited “A Cultural History of Theatre In the Early Modern Age” (2017). The volume is third in a six-volume set tracing the complex interactions between theater and culture over the past 2,500 years.

“Life After Rugby,” the first book-length poetry collection by Eileen G’Sell, was published in December by Gold Wake Press. G’Sell is a lecturer in writing and in the Prison Education Project in Arts & Sciences.

Four faculty members from the Sam Fox School of Design & Visual Arts are among the finalists in the international Chouteau Greenway Design Competition, which aims to connect dozens of cultural and educational institutions from Forest Park to the Arch. Washington University is a partner in the greenway project.