Author: Liam Otten

Richard Yang, professor emeritus of East Asian languages and cultures in Arts & Sciences at Washington University in St. Louis, died Friday, Oct. 12, 2018, in Kaohsiung, Taiwan. He was 93.

Barcelona-based architect Mónica Rivera has been named chair of graduate architecture at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis.

Before the umbrellas and flying toast, before the fan rituals and midnight screenings, before “picture” elbowed its way into the title, “Rocky Horror” was simply a show. Beginning Oct. 19, the Performing Arts Department in Arts & Sciences will present a new production of “The Rocky Horror Show” in Washington University’s Edison Theatre.

Bob Smith, professor emeritus in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, died peacefully at home Sept. 22, 2018. He was 92.

Rebecca Wanzo, associate professor of women, gender and sexuality studies in Arts & Sciences, will examine the work of artist Sanford Biggers as part of a panel discussion titled “Re: Black Visual Mourning” at 6:30 p.m. Wednesday, Oct. 10, at the Contemporary Art Museum St. Louis.

The Sam Fox School of Design & Visual Arts will launch a new master of fine arts degree in illustration and visual culture in fall 2019. The program — the first of its kind in the Midwest — will combine intensive studio practice with an emphasis on scholarly and theoretical analysis.

“If anyone needed visible, painful evidence of how little progress the United States has made in attaining gender parity, this senate hearing was it,” argues Mary Ann Dzuback, chair of Women, Gender and Sexuality Studies in Arts & Sciences at Washington University in St. Louis.

The Brooksfields are determined to take a trip. Nothing will stop them — not the blizzard, not the mistress, not even the drug dealers. In “Florida,” Lucas Marschke recounts a dysfunctional family vacation for the ages. This weekend, “Florida” will receive its world-premiere staged reading at Washington University in St. Louis as part of the annual A.E. Hotchner New Play Festival.

In “Persistence of Memory,” choreographer Ting-Ting Chang explores the convergence of dance and painting through works inspired by the art of Salvador Dali and the writings of Sigmund Freud.

Over the past four years, The Divided City, an urban humanities initiative at Washington University in St. Louis, has supported dozens of projects exploring the effects of spatial segregation. This fall, the university will launch a second phase, The Divided City 2022, thanks to a $1 million grant from The Andrew W. Mellon Foundation.