Author: Liam Otten

The Sam Fox School of Design & Visual Arts’ 2019 MFA in Visual Art Thesis Exhibition features work by 17 graduating students. Works in various media explore themes such as the politics of race, the role of gender, the poetics of the everyday, and utopian or dystopian futures.

When Rep. Alexandria Ocasio-Cortez (D-N.Y.) accused the Trump administration of “running concentration camps on our southern border,” a political firestorm erupted. But a question remained. Was the comparison justified? Arts & Sciences historian Anika Walke, a scholar of the Holocaust, offers perspective.

With speeds of nearly 700 miles per hour, hyperloop technology has the potential to revolutionize land-based transportation. But with that revolution comes new challenges for both urban destinations and rural environments. This spring, students and faculty from the Sam Fox School of Design & Visual Arts worked with Virgin Hyperloop One to investigate the impacts and potentials of the proposed Missouri route from St. Louis to Kansas City.

Kate Smith was the “songbird of the south” and “the First Lady of radio,” a 20th-century superstar whose recording of “God Bless America” was still being played during Philadelphia Flyer and New York Yankees home games. But recently, both teams distanced themselves from Smith due to racist lyrics in a pair of her early recordings. Arts & Sciences’ Todd Decker, chair of music, helps unpack the controversy for USA Today.

On May 22, the Washington University Prison Education Project (PEP) conducted its first Commencement at the Missouri Eastern Correctional Center in Pacific, Missouri. Joe Angeles, director of Washington University Photo Services, documented the day.

Musicologist Todd Decker, of Arts & Sciences and author of “Hymns for the Fallen: Combat Movie Music and Sound After Vietnam” (2017), examines how films such as “Platoon,” “Apocalypse Now,” “Saving Private Ryan” and “The Hurt Locker” shape how audiences view soldiers, veterans and the experience of war.

As a kid biking the streets of Kinloch and Ferguson, Mo., Ryan A. Wilson was drawn to construction sites. Now the Sam Fox School master’s candidate is working on ambitious projects and exploring architecture’s capacity for rebuilding community.

Sibling pianists Katia and Marielle Labèque — praised by The New York Times as “the best piano duet in front of an audience today” — will perform four-hand works by Igor Stravinsky and Philip Glass May 5 as part of the Great Artists Series at Washington University in St. Louis.

The newly expanded and renovated Mildred Lane Kemper Art Museum at Washington University in St. Louis will reopen with a major exhibition of work by Ai Weiwei. The renowned Chinese dissident artist and activist is known all over the world for rigorous, compassionate and complex artworks that address themes of political, ethical and social urgency. “Ai Weiwei: Bare Life” opens Sept. 28 and will feature more than 35 artworks created over the last two decades in a wide variety of media — including a handful of newly conceived, large-scale and site-specific projects and major pieces never before exhibited in the United States.

“Ash is Cold,” a solo exhibition featuring new work by Tim Portlock, associate professor of art at the Sam Fox School of Design & Visual Arts, is on view through May 3 at Monaco, the artist-owned cooperative gallery.