Author: Liam Otten

The talk is part of “Unsettled Ground: Nature, Landscape and Ecology Now!” a series of lectures, panel discussions, artistic interventions and workshops.

Their project investigates the relationship between power and self-presentation by asking women to respond to a seemingly simple question.

Dhomhnaill has been hailed by the Irish Literary Supplement as the “most acclaimed Gaelic poet of the century”; Akins is the author of four novels.

“The Black Artists’ Group was a seedbed for artistic innovation,” says Benjamin Looker, author of a 2004 book on the influential yet little-remembered collective.

Cast’n’Crew gives students the opportunity to experience all aspects of theater production; the “10-Minute Play Festival” will be in The Village Theater.

Fiction writer Ellen Akins will read from her work at 8 p.m. Thursday, Feb. 16, for the Writing Program Reading Series. Akins is the author of four novels, including “Home Movie: A Novel” (1988), “Little Women: A Novel” (1990) and “Hometown Brew” (1998), as well as a collection of short stories, “World Like a Knife” (1991).

Two Girls Working, the collaborative team of artists Tiffany Ludwig and Renee Piechocki, will screen a documentary about their ongoing project, “Trappings,” at 8 p.m. Thursday, Feb. 16, in Ursa’s Lounge. “Trappings” investigates the relationship between power and self-presentation by asking women to respond to the question “What do you wear that makes you feel powerful?”

Courtesy photoLeslie MorrisLeslie Morris, Ph.D., associate professor of German and director of the Center for Jewish Studies at the University of Minnesota, will launch the Center for the Humanities in Arts & Sciences’ 2006 Faculty Fellows’ Lecture and Workshop Series with a pair of events Feb. 16 and 17.

Irish poet Nuala Ní Dhomhnaill, hailed by the Irish Literary Supplement as the “most acclaimed Gaelic poet of the century,” will read from her work at 8 p.m. Monday, Feb. 13, for Washington University’s Writing Program Reading Series.

Courtesy photoOliver LakeIn the mid- and late 1960s, the Black Arts Movement emerged as the aesthetic and spiritual corollary to the Black Power philosophy. In St. Louis, Black Artists’ Group (BAG), which flourished between 1968 and 1972, gave rise to a host of nationally recognized figures, including Oliver Lake, Julius Hemphill and Hamiet Bluiett of the World Saxophone Quartet. Today, this influential yet little-known collective is undergoing a resurgence of interest, with the reissue of rare BAG recordings on the Ikef, Quakebasket and Atavistic record labels; a new definitive history published by the Missouri Historical Society Press; and an upcoming sypmosium at Washington University in St. Louis.