Author: Liam Otten

She’s the author of three collections of poetry: Fire in the Conservatory (1982); The Woman Who Died in Her Sleep (1996); and Waterborne (2002).

The Department of Music in Arts & Sciences will present a symposium and concert dedicated to the work of Viennese composer Arnold Schönberg. The symposium will focus on Schönberg’s relationship with Kandinsky and the Expressionist movement, while the concert will feature a rare performance of his famously demanding Herzgewächse (Foliage of the Heart) by music students and faculty.

SYMPOSIUM: “Schönberg and the Blaue Reiter Almanac” Participants: • Gerald N. Izenberg, Ph.D., professor of history in Arts & Sciences, “Painting Like Music: How Schönberg’s Atonalism Midwifed Kandinsky’s Abstraction” • Bonny Hough Miller, Ph.D., pianist and historian, “Sounding the Soul: Schönberg, Herzgewächse and the Blaue Reiter Almanac” Time: 2:30 to 4 p.m. Friday, Feb. 24 […]

TiVo or tape the Academy Awards and step out to hear a unique performance of brilliant music that marked the court of Louis XIV, the Sun King. St. Louis’ own Kingsbury Ensemble will perform Music Fit for a King: Theatre Music and Cantatas from the French Baroque in Washington University’s Holmes Lounge at 7:30 p.m. Sunday, March 5.

Courtesy photoSand N. DaltonSand N. Dalton, described by CBC Radio as “one of the leading Baroque oboists in North America,” will speak on the Baroque oboe and its relationship to the mean-tone tuning systems of the 17th and 18th centuries at 4 p.m. Friday, March 3, for the Department of Music in Arts & Sciences.

Harriet Stone, Ph.D., professor of romance languages & comparative literature in Arts & Sciences, will speak on “Objects for the Table: Descartes, La Bruyère and Dutch Golden Age Painters” at 4:10 p.m., Thursday, March 2. The talk, part of the Center for the Humanities’ Faculty Fellows Lecture and Workshop Series, will address the status of objects in science, literature and art as part of an inquiry into forms of knowledge that ground 17th-century European culture.

Courtesy photo*Animal Farm: The Puppet Musical*”All animals are equal, but some are more equal than others.” Such is the satiric lesson of Animal Farm, George Orwell’s cautionary parable about the uses and abuses of power. In March, New York’s acclaimed Synapse Productions will treat St. Louis audiences to Animal Farm: The Puppet Musical. This witty and visually stunning production — based on a musical adaptation by famed British director Peter Hall — re-imagines Orwell’s novel with all the wonder and grotesquerie of a childhood fairy tale.

Poet Linda Gregerson, the visiting Fannie Hurst Professor of Creative Literature in the Writing Program in Arts & Sciences, will present a pair of events Feb. 23 and March 2. Gregerson is the author of three collections of poetry: Fire in the Conservatory (1982), The Woman Who Died in Her Sleep (1996) and Waterborne (2002).

Photo by David Kilper/WUSTL Photo Services*Much Ado About Nothing*Rapier wit and cutting observation; lies, laughter and love, with a stiff dose of betrayal. Such is the emotional arsenal deployed for Much Ado About Nothing, William Shakespeare’s strategic guide to the “merry war” between the sexes. This month, Washington University’s Performing Arts Department (PAD) in Arts & Sciences will present Much Ado as its spring Mainstage production.

The Washington University Symphony Orchestra will perform music of Ernest Bloch, Peter I. Tchaikovsky and Gay Holmes Spears at 3 p.m. Sunday, Feb. 19, in Graham Chapel. Dan Presgrave, instrumental music coordinator for the Department of Music, conducts the 70-plus-member orchestra.