Holiday tradition alive on campus with annual ‘Messiah’ sing-along Dec. 6
Washington University’s Department of Music in Arts & Sciences will present its annual sing-along of George Frideric Handel’s oratorio Messiah at 3 p.m. Sunday, Dec. 6, in Graham Chapel. John Stewart, director of vocal activities, directs the program.
Figaro, Figaro
Pierre-Augustin Caron de Beaumarchais (1732-99) was one of the great self-made men of 18th century Europe, a watchmaker who rose through the ranks of French nobility. Yet Beaumarchais is probably best remembered for his semi-autobiographical Figaro plays, two of which — The Marriage of Figaro (1778) and The Barber of Seville (1773) — would form the basis for celebrated operas by Wolfgang Amadeus Mozart (1756-91) and Gioacchino Rossini (1792-1868), respectively.
Washington University to present annual Messiah sing-along Dec. 6
Washington University’s Department of Music in Arts & Sciences will present its annual sing-along of George Frideric Handel’s oratorio Messiah at 3 p.m. Sunday, Dec. 6, in Graham Chapel. John Stewart, director of vocal activities, directs the program.
Washington University Dance Theatre to present Transmotion Dec. 4-6
Washington University Dance Theatre (WUDT), the annual showcase of professionally choreographed works performed by student dancers, will present Transmotion, its 2009 concert, Dec. 4 to 6 in Edison Theatre. Performances — sponsored by the Performing Arts Department (PAD) in Arts & Sciences — will feature more than three dozen student dancers, selected by audition, in seven original works by faculty and guest choreographers. Pieces range from ballet and contemporary dance to works drawing on Chinese and Native American traditions.
Washington University Symphony Orchestra in concert Nov. 22
At 3 p.m. Sunday, Nov. 22, the Washington University Symphony Orchestra will highlight a series of rarely heard works originally composed for Sarah Bernhardt, who commissioned and revived dozens of musical scores to accompany her plays.
Sixth Annual Children’s Film Symposium Nov. 21
The Center for the Humanities and Program in Film & Media Studies, both in Arts & Sciences, will host the Sixth Annual Children’s Film Symposium Saturday, Nov. 21. Titled “An Exploration of Children’s Films and Their Audiences,” the symposium is presented in conjunction with Cinema St. Louis.
Brass ensemble of Saint Louis Symphony to perform at DUC
The Trombones of the Saint Louis Symphony are one of the nation’s leading brass chamber ensembles, dedicated to elevating the status of the trombone quartet and to expanding the trombone quartet repertoire. At 8 p.m. Friday, Nov. 20, the group will present a free concert of music spanning the 18th through 21st centuries in the Tisch Commons of the Danforth University Center.
Kemper Art Museum exhibit examines the American worker
Los Angeles-based conceptual artist Sharon Lockhart creates films and photographs that are at once rigorously formal and deeply humanistic. Beginning Friday, Feb. 5, the Mildred Lane Kemper Art Museum opens a major exhibit of Lockhart’s called “Lunch Break,” showcasing American workers at the Bath Iron Works in Bath, Maine.
Sixth Annual Children’s Film Symposium
*Princess of the Sun* (2007)Washington University’s Center for the Humanities and Program in Film & Media Studies, both in Arts & Sciences, will host their Sixth Annual Children’s Film Symposium Saturday, Nov. 21. Titled “An Exploration of Children’s Films and Their Audiences,” the symposium is presented in conjunction with Cinema St. Louis and will feature five screenings as well as a Q&A with Michael Barrier, an animation and comics historian and author of The Animated Man: A Life of Walt Disney (2007).
Washington University Symphony Orchestra in concert Nov. 22
In a career spanning more than 50 years, the great French actress Sarah Bernhardt (1844-1923) emerged as one of the most celebrated women of her day, known for a signature acting style based on grand, theatrical gestures and a famously melodious voice. On Nov. 22 the Washington University Symphony Orchestra will highlight a series of rarely heard works originally composed for “The Divine Sarah,” who commissioned and revived dozens of musical scores to accompany her plays.
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