Author: Liam Otten

Praised as “one of the finest players of his generation” by the Moscow’s Kommersant Daily, Scottish pianist Kenneth Hamilton is renowned for his spectacular performances of Romantic music, particularly the work of Franz Liszt (1811-86). On Feb. 26, Hamilton will mark the 200th anniversary of Liszt’s birth with a solo piano recital titled “Liszt and His Contemporaries: A Pianistic Panorama” and take part in a free symposium organized by the Department of Music in Arts & Sciences. 

Location. Budget. Materials. Architecture is the art of negotiating constraints — to say nothing of clients, zoning and the unique history and particular characteristics of a given place. “There’s no such thing as a blank slate,” says Kathryn Dean, a principal of Dean/Wolf Architects in New York and director of the Graduate School of Architecture & Urban Design in the Sam Fox School of Design & Visual Arts. 

City versus forest. Apollonian rationality versus Dionysian subconscious. Wayward lovers and working-class thespians versus the regal, glittering world of the fairies. William Shakespeare’s A Midsummer Night’s Dream is a study in contrasts, joining elegant verse and bawdy humor with cruel punishments and magical enchantments “past the wit of man.” This month, the Performing Arts Department will present the Bard’s most popular comedy — arguably the most popular ever written — as its spring Mainstage production.  

How have race relations in America evolved since the civil rights movement of the 1960s? Was the election of President Barack Obama a milestone in this regard? Did it truly serve as a turning point in America’s history of racial inequality? Later this month, the American Academy of Arts and Sciences and Washington University in St. Louis will explore these questions and more with a symposium titled “Race in the Age of Obama.”  

Over the last five decades, pioneering conceptual artist Luis Camnitzer has earned an international reputation for his subtly biting prints, multiples and sculptural works that combine poetic lyricism with political and social engagement. This spring, Camnitzer will receive the Printmaker Emeritus Award during the 2011 annual conference of the Southern Graphics Council International, hosted March 16 to 19 by Washington University’s Sam Fox School of Design & Visual Arts. In recognition, the university’s Mildred Lane Kemper Art Museum has organized Luis Camnitzer: Forewords and Last Words, an exhibition of works spanning the career of this influential artist.  

Poet Kathleen Peirce will ready from her work at 8 p.m. Thursday, Feb. 10, for Washington University’s Writing Program in Arts & Sciences. Peirce is the author of four books of poetry: Mercy (1991), Divided Touch, Divided Color (1995), The Oval Hour (1999) and The Ardors (2004). 

Art historian Richard Meyer, associate professor at the University of Southern California (USC) and author of Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (2002), will launch the Sam Fox School of Design & Visual Arts’ Multiple Feminisms Lecture Series Feb. 2. Designed to expand the conversation about what it means to be feminist, the series will investigate the ongoing cultural debate over sexuality and gender, as well as the effects of that debate on modern art, visual culture and academic practice.

Washington University alumnus Julie Alexander will return to campus as the 2010-11 Marcus Artist in the Dance Program in the Performing Arts Department (PAD) in Arts & Sciences. While in residence, she will present a free informal performance, titled “Weaving Traditional Japanese Dance and American Postmodern Dance,” at 7:30 p.m. Tuesday, Feb. 1. 

Banana-slinging catapult? Check! Smoke ring cannons? Check! Bright orange lab coat and goofy protective goggles? Check! Say hello to Doktor Kaboom!, “ze smartest man to ever enter any room.” Later this month, the humble Doktor will bring his sidesplitting, family-friendly tour of the modern scientific method to Washington University’s Edison Theatre for a special one-time-only performance. 

The Washington University Chamber Orchestra will present “Follow the Fugue,” a concert of fugues in a variety of forms and arrangements, at 8 p.m. Monday, Jan. 24, in Graham Chapel. The program will feature examples by Johann Sebastian Bach, Franz Joseph Haydn, Felix Mendelssohn, Ludwig van Beethoven and Ernst Toch.