Author: Liam Otten

Over the course of 10 novels, Richard Powers has emerged as one of today’s most challenging and philosophically minded authors. On Oct. 16 and 18, Powers, the Visiting Hurst Professor of Creative Writing, will present a pair of events for The Writing Program’s fall Reading Series.

The Florist’s Daughter, Patricia Hampl’s most recent memoir, opens with a striking scene. As her mother lays dying, the writer sits at her bedside and begins composing an obituary on a plain yellow notepad. What follows is a loving tribute to her parents and to the startling passions that define supposedly ordinary lives.​

Over the last century, nearly 1,900 square miles of Louisiana wetlands — an area approximately the size of Delaware — have disappeared. Now the Sam Fox School’s John Hoal is leading STUDIO MISI-ZIBBI, one of three finalist teams in the international competition “Changing Course: Navigating the Future of the Lower Mississippi River Delta.”

“Welcome to cabaret!” declares the Master of Ceremonies. “Leave your troubles outside! Life is disappointing? Forget it! In here, life is beautiful! The girls are beautiful! Even the orchestra is beautiful!” Welcome to The Kit-Kat Club, Germany’s most decadent nightspot. And welcome to Cabaret. The Performing Arts Department in Arts & Sciences will stage the groundbreaking musical Oct. 19-28 in Edison Theatre.

In 1997, Laurie Berkner began selling her debut album out of her Manhattan apartment. Today, Berkner is the “Queen of Children’s Music,” a regular on Nick Jr. and a founding member of “Kindie Rock” – progressive, kid-friendly music that isn’t saccharine or dumbed-down. On Oct. 20, Berkner will launch Edison’s 2012-13 ovations for young people series with a solo acoustic show in the 560 Music Center.

Can instrumental music communicate specific information? The question is not only academic, says Michael Beckerman, professor of music at New York University, who has studied music at the Terezin concentration camp. On Oct. 8, Beckerman will discuss “Terezin, Land of Invisible Texts” for the Department of English in Arts & Sciences. The talk is held in memory of Richard Stang, professor emeritus in English, who passed away last year.

“Improvisation isn’t matter of just making any ol’ thing up,” jazz great Wynton Marsalis once observed. “Jazz, like any language, has its own grammar and vocabulary.” On Thursday, Oct. 4, guitarist William Lenihan and poet Eileen G’Sell will put that analogy to the test with “The New Beat Generation,” an evening of improvised music and poetry, presented as part of the Jazz at Holmes Series.

At the turn of the last century, Australian composer Percy Aldridge Grainger developed a fascination with folk music of the British Isles. Among the results was Molly on the Shore, an arrangement of two traditional Irish reels, or dances. On Oct. 7, the Washington University Wind Ensemble will perform Molly on the Shore as part of a free concert marking the public debut of new conductor Chris Becker.

Last fall, students from the Sam Fox School of Design & Visual Arts created Parking Plot, a subversive look at just what constitutes “urban nature.” Now, Parking Plot is one of two projects with ties to the Sam Fox School included in the U.S. Pavilion of the 2012 Venice Architecture Biennale — arguably the profession’s leading international showcase. In addition, Peter MacKeith, associate dean of the Sam Fox School and associate professor of architecture, curated the Nordic Pavilion in its entirety.

“Who is this Mr. Head and where can I find more of his beautiful music?” As host of From the Top, NPR’s classical showcase, Christoper O’Riley could not resist a subversive impulse. Amidst the Bach and Brahms, the virtuoso pianist inserted his own Radiohead transcriptions. Curious fans began phoning in. On Oct. 12, O’Riley and fellow classical pioneer Matt Haimovitz will present Shuffle.Play.Listen., their latest genre-busting collaboration, as part of the Edison Ovations Series.​