Author: Liam Otten

With their intricate textures, subtle surface variations and visible reworkings, Georges Braque’s midcareer paintings demonstrate a profound interest in the painting process and in the possibilities of his materials. Patricia Favero, associate conservator for The Phillips Collection in Washington, D.C., will discuss Braque’s technique, in conjunction with the exhibition Georges Braque and the Cubist Still Life, 1928-45.

Mike Hayes, WUSTL’s executive director of Campus Life, empowers student leaders and helps to foster “light bulb” moments.

It’s hard to wave when your elbow can’t bend. In Beauty, choreographer Jane Comfort deploys the robotic, stiff-jointed movements of Barbie and Ken dolls to withering satirical effect. On Friday and Saturday, March 1 and 2, Jane Comfort and Company will perform Beauty—as well as the BESSIE Award-winning Underground River — as part of the Edison Ovations Series.

In the early 20th century, utopian conviction about the promise of artistic abstraction was widespread. And yet, in the years between the World Wars, the human figure remained the site of significant artistic activity. So argues John Klein, associate professor of art history and archaeology, in Face and Figure in European Art, 1928-1945, now on view at the Mildred Lane Kemper Art Museum.

If the answer to a poem is another poem, the answer to music, clearly, is more music. On Feb. 24, the WUSTL Wind Ensemble will pair music by Charles Gounod and Johann Sebastian Bach with works from two contemporary composers in a free concert titled “The Old and the New.”

Great literature speaks to us across the years and miles. In The Eternal City, her National Book Award-nominated collection, poet Kathleen Graber speaks back, offering reflective yet surprisingly conversational responses to writers and artists from Marcus Aurelius and William Blake to Milan Kundera and Johnny Depp. On Thursday, Feb. 21, Graber will read from her work for The Writing Program Reading Series.

Sustainability and economic growth: two desirable goals which should demonstrably complement one another, especially in our cities. But how? On Feb. 21, the Sam Fox School and the Brookings Institution in Washington, D.C., will present The Innovative Metropolis, a daylong symposium (and web simulcast) on fostering economic competitiveness through sustainable urban design.

In 2011, acclaimed pianist and composer Amina Figarova left Europe for the United States. The result is Twelve, a suite of new songs that Figarova wrote shortly after the move. On Feb. 21, Figarova will visit WUSTL’s Jazz at Holmes Series as part of a 14-city tour in support of Twelve, her 12th full-length album.

Renowned author and art historian Udo Kultermann, who taught architecture at WUSTL for nearly 30 years, died Feb. 9, 2013, in New York City, following a long illness. He was 85.

Alonzo King cuts a unique figure in the contemporary dance world — an African-American choreographer creating original works within the traditions and structures of classical ballet. On Feb. 22 and 23, King and his acclaimed touring company, Alonzo King LINES Ballet, will return to Washington University for two shows presented as part of the Edison Ovations Theatre.