Author: Liam Otten

Virginia Terpening was an accomplished painter and an important regional artist. Yet by the time of her death, in 2007, Terpening’s work had been largely forgotten; hundreds of paintings languished in a rusty trailer in northeastern Missouri. Yet now a reappraisal is underway, thanks in large part to The Hinge, a nonprofit gallery cofounded by Eileen G’Sell, lecturer in The Writing Program in Arts & Sciences.

The food was terrible. Kool-Aid, Manwich, Jiffy Pop, Twinkies, Spam (when the word referred to something edible). But Pat Hazell loved it all. In “The Wonder Bread Years,” Hazell — one of the original writers for “Seinfeld” — turns a fond yet pitiless eye to the brick-a-brack of American childhood. The acclaimed one-man show comes to the Edison Ovations Series Jan. 24 and 25.

As an artist, the Sam Fox School’s Patricia Olynyk frequently investigates the intersections of art and science. Now Olynyk is helping to lead a national task force on the topic while also planning a vertical seminar about “The Role of Arts Practice in the Research University.”

The history of the 20th century and the beginnings of the 21st have been scarred by incomprehensible violence and far-reaching political events. This spring, the Mildred Lane Kemper Art Museum will explore both the direct experience and lingering effects of historic upheavals with “In the Aftermath of Trauma: Contemporary Video Installations.”

Tony Award-winning playwright, and Washington University alumnus, Steven Sater discusses theater, adolescence and his Broadway smash Spring Awakening.

The hope was to repair a friendship. The result was a masterwork. On Dec. 9, the St. Louis Symphony’s Bjorn Ranheim and Shawn Weil will join the Washington University Symphony Orchestra for a performance of Johannes Brahms’ “Double Concerto in A for Violin and Cello.”​

It is perhaps the most beloved work of holiday music. The debut was almost prevented by Jonathan Swift. But on Dec. 15, the Department of Music in Arts & Sciences will present its annual sing-along of George Frideric Handel’s oratorio Messiah (1741) in Graham Chapel.

As a young saxophonist in the early 1970s, Marc Copeland experimented with modern and electric harmonies but grew dissatisfied with his instrument. He quit the sax and, a decade later, re-emerged as a jazz pianist, renowned for his dexterous lyricism. On Friday, Dec. 6, Copland will join acclaimed bassist Gary Peacock and drummer Joey Baron for a performance in WUSTL’s 560 Music Center.

Gerald Early, PhD, the Merle Kling Professor of Modern Letters in Arts & Sciences, has been appointed to the National Council on the Humanities, the 26-member advisory board to the National Endowment for the Humanities. Early is one of five new members nominated by President Barack Obama and confirmed by the U.S. Senate.

“John-John,” a new aria by playwright Carter W. Lewis and composer Kamala Sankaram, debuted recently as part of “November 21, 1963: The Day Before,” a multidisciplinary event marking the 50th anniversary of President John F. Kennedy’s assassination.